The pandemic has been prevented me from traveling to Africa recently, but remembering this leopard in Timbavati can still make me smile!
Look at that beautiful shape and the amazing camouflage. Just wow!
The pandemic has been prevented me from traveling to Africa recently, but remembering this leopard in Timbavati can still make me smile!
Look at that beautiful shape and the amazing camouflage. Just wow!
Honey badger meets African civet. What happens next?
My copy of The Safari Companion by Richard Estes describes the African civet as “a remarkably unspecialized, basic sort of mammal” that “eats whatever is digestible”, is “poorly equipped to climb or dig efficiently”, and is “relatively slow-moving”. That all makes it sound very unthreatening, but as you’ll see in the video, it has a crest of hair along it’s back that is 4 inches long and can be raised to make it look quite intimidating. Civets are related to genets (and less closely to mongooses) but this is a group of animals which have changed very little in the last 40 -50 million years. You know what they say – if it ain’t broke, don’t fix it – so although it may be basic, I guess the civet is doing just fine.
Honey badgers are better known and have a reputation for being fearless and having no natural enemies. It (and the civet) are happy to snack on puff adders – which says almost everything you need to know! Honey badgers love honey and risk numerous stings to gorge themselves on honey and bee larvae. They have very loose skin, which protects them from too many stings, but this also means if a honey badger is picked up by the scruff of it’s neck, it will be able to turn around and bite it’s attacker (as many an inexperienced lion has discovered).
So, to this video, where honey badger meets African civet!
One evening I, my husband, and 4 friends, were sitting around the fire in Botswana. We were on a mobile safari, with Phillimon from Walking Stick Safaris and had planned to spend 9 nights camping in Moremi, Khwai and Savute. Phillimon and his great team took care of everything, so we felt like we were traveling in the lap of luxury, even though we were in tents. We’d eaten dinner and had moved to sit around the fire and had been visited by a honey badger there, but soon we heard a call from the ‘kitchen’ and this was what we saw. I think we all would have bet money on the civet giving in to the honey badgers. But what did happen?
Well, it turns out they both seemed quite intimidated by each other!
Later that night a honey badger raided camp again – climbing into the back of one of the 4x4s, then up and over the 4-foot high wire cage enclosing the cargo area, to see if there were any scraps available. One afternoon in this same campsite a group of 7 or 8 bull elephants appeared, browsing their way through and then out on to the grassy plain, heading for the next tree-island. And on our final night we decided to call an early end to the evening’s fire-watching as calls from lions got closer and closer until we thought they might be in ‘our’ trees.
In short it was a lovely spot with a wealth of wildlife and beautiful views. Ahhhhh…..
Check out The Safari Companion: A guide to watching African mammals by Richard D Estes.
Our mobile safari was booked by Africa Geographic and our safari team were guided by Phillimon from Walking Stick Safaris.
It seems that every camp comes with a hornbill in African reserves. You only know you’ve truly settled in when you see one (or more likely several) of these big-beaked birds bouncing around.
They come in different sizes and colors but the 2 you are likely to see in camps in southern Africa are the yellow-billed and red-billed hornbills. They can be difficult to tell apart. OK I’m kidding – these 2 species, unlike many others, have been given sensible, descriptive names!
They both have the same long eyelashes, the same habit of quizzically angling their heads, and the same ability to pick up the tiniest seeds with their over-sized beaks. They also add a lovely soundtrack, a background conversation almost, to hot afternoons in camp.
One final note – they’d both be absolutely terrifying if they were the size of an ostrich!
This artwork is available on Etsy, priced at $180 with free shipping in the US.
More next time.
I realized recently that I sing when I paint.
But first, I talk to myself. It seems that I talk when drawing, and sing when painting. Of course!
I talk to myself when I’m figuring out my sketch, looking at the light and shapes and getting them down on paper. I use lots of phrases like ‘Right, let’s see, what’s next?’.
It seems that I sing (or hum, as there are rarely words) when I’m painting, especially when working on detail. I’ve been sketching in my own neighborhood recently and it’s been cold, so I’ve been working from my car. So what I sing is likely to be whatever I last heard on the radio. If that last song was something particularly appalling, I might have to leave the radio on, until I hear something better. Interestingly, I don’t sing-along when the radio is on – I only sing when the radio is off. If I can’t get a song out of my head and want a new one, I often go to something by my all-time favorite band – The Waterboys.
Of course sometimes I leave the radio on (not the engine, just the radio) but it automatically turns off after an hour (you get to know these features of your vehicle when you sit in it to sketch). I turn it back on. Another hour goes by and it turns off again. I’m usually nearly finished by then, but it takes me a little while to pack up. Then I drive home. Or, as happened a couple of weeks ago, I try to drive home and find the car battery is totally dead. This shouldn’t happen from 2 hours of radio use, but it did. So at that point my singing turned into talking again – but with a much more aggravated tone!
Keep on singing, humming or whatever it is that you don’t realize you are doing.
For me, black-backed jackals are synonymous with the Kalahari Desert. Their jaunty trot carries them here and there within their territories as they expertly hunt and scavenge, surviving in one of the toughest places on Earth. Then night falls, and their howls pierce the darkness – a beautiful sound, but sharp and cold as the starlight above.
The other image of black-backed jackals that sticks in my head is when jackals converge on an area where lions are feeding on a kill. If there are too many lions and it’s dangerous to try stealing, they wait patiently, curled up under different bushes nearby, until the lion pride moves on. Then they all dash in (along with the sharp-eyed vultures which have also congregated) to grab their share of the meat. They eat nervously, frequently scanning the area in case the lions return. Then, when they’re done, off they trot.
Jauntily, of course!
Both these artworks can be purchased from my Etsy store, and I’ll donate 25% of the price to Cheetah Conservation Botswana.
Until next time, stay jaunty!
On this World Wildlife Day lets look back at some of the good news stories about wildlife from 2020. Yes, there really were some!!
China gave pangolins their highest status of protection, and removed them from their list of approved traditional medicine ingredients.
Colorado voters approved a measure to bring back gray wolves, after an 80 year absence. They will be reintroduced into the southern Rockies in 2022/23.
Much of the world’s wildlife benefitted from our lock-downs and expanded their ranges and activity, while we took more of an interest in our gardens and parks, and the creatures that share them with us. Many of us created space in our gardens specifically to attract pollinators & birds or provide shelter for reptiles and amphibians.
Way to go, people!
Australia reintroduced Tasmanian devils to the mainland after they were hunted to extinction there almost 3000 years ago. Their scavenging should help restore healthy ecosystems.
Good on ya!
The 4th annual international effort to stop the illegal trade in flora and fauna was a success. Operation Thunder 2020, led by Interpol and the World Customs Organization, involved more than 100 countries and confiscated thousands of wildlife products and some live animals.
Several high-profile private zoo owners in the US faced charges relating to their abuse of animals in their care.
Excellent! Hopefully, the public will see these facilities for what they really are, and will decide not to visit them.
France banned wild animals in circuses.
We have far to travel but we know the right trail to take. So let’s get going!
My daily sketches are available on Etsy, with 50% of the sale price donated to African conservation organizations, and free shipping within the US.
If you spend enough time in the African bush, it’s inevitable that you will come across a carcass and, if you’re lucky, hyenas and vultures. Finding a carcass can provide amazing sketching opportunities, as long as you can sit upwind!
Here’s a video I took in South Africa of a hyena and vultures feeding on a dead zebra. Most of the vultures are white-backed but you may see a larger, paler bird, which is a Cape vulture (when the vultures are all over the carcass, look for it standing on the left).
I would happily sit and sketch beside a carcass all day (or until the wind shifts) but usually I’m traveling with other people and weirdly, many of them would rather see a live animals than dead ones. Ah well…
This is the sketch I created after I finished taking the video. Spotted Hyenas (there were 2 at one stage) and White-backed Vultures, watercolor on paper 11×14″
Just for the record, spotted hyenas are very good hunters and are not the cowardly scavengers they are often made out to be – they are one of animals I most look forward to seeing when I’m in the bush. Vultures are true scavengers, feeding only on carrion, but they too are an absolutely necessary part of the food chain. Without vultures, rotting carcasses would pollute waterways and spread disease. In recent years there have been devastating incidents where carcasses have been laced with poisons and in some instances over a hundred vultures (plus hyenas, jackals, raptors and numerous other species) have been killed. Poachers may poison carcasses to actively rid the skies of vultures (whose circling can alert anti-poaching units to the presence of poached animals) or farmers may poison a carcass to kill predators who threaten their livestock. The use of vulture parts in traditional medicine is also a threat, as are collisions with electrical cables. So think better of the vulture – it’s existence saves lives, even if it eats the dead.
To learn more about the vultures of southern Africa, visit Project Vulture.
Join me for more sketches and stories soon.
Its World Hippo Day! And who wouldn’t want to celebrate hippos – those jolly, rotund, playful, animal caricatures? I’ve seen an immature hippo playing in a tiny waterhole with a stick, ducking it under, rolling on it, retrieving it, even tossing it in the air, and obviously having great fun. But, as is usually the case, there is another side to this story, and it involves an intimidating, potentially-dangerous river monster.
During the day, the hippos of the Okavango Delta in Botswana, tend to be in the lagoons, and if you’re in a mokoro (dug-out canoe) your skilled poler avoids them by crossing these areas of deep water quickly, and at the narrowest points. On a typical mokoro-ride as a tourist, you spend most of your time in the maze of narrow, shallow trails (made by hippos as they leave the water at night to graze on land). These channels can be only a foot wide and just inches deep, or they can be 6 feet wide with water a couple of meters deep. They are often edged with grasses and reeds several feet above your head, and in the narrowest channels they push in on you from all sides. The water is clear as can be, filtered by all the vegetation, and the drifting lily pads are beautiful. The sounds can be mesmerizing – rippling water, the swish of reeds, and plops as frogs drop into the water beside you. Then comes a loud bellow or grunt from a hippo, a mocking laugh of a sound, and suddenly you remember the the gaping mouth and the unexpected speed and agility of these huge beasts. For a while you imagine what you would do if one appeared beside you right now. Your heart beats quite a bit faster!
One day I remember that we returned to camp close to dusk, and had to to cross one last lagoon. The beautiful open stretch of water that we gazed at daily from camp suddenly took on a more menacing air. The dark waters merged with the darkening sky. Splashes and explosive grunts were the only clue to the pod of hippos close by. Our poler held us back in the grasses on the edge of the lagoon, watching and listening for a good time to cross, and I wondered if the amazing mokoro trip we had experienced had been worth this anxious last few minutes. Then we took off, smoothly poling through the waters, straight across the middle – where I closed my eyes, envisaging the approaching tidal wave of a plunging hippo. But we made it to dry land, and a lovely can of dry hunters too.
Although I’ve spent many hours on mekoro and in self-paddled canoes (definitely a more treacherous situation given my inability to travel in a straight line for long), luckily I haven’t met a really disgruntled hippo. However, the stories I’ve heard remind me that although messing around in boats might be fine, messing with hippos is something you definitely don’t want to try.
Enjoy World Hippo Day!
The problem, of course, is not bats, or any other species. The real problem is our invasion of every corner of the planet, our relentless exploitation of wild animals, and the confinement of wild (and domesticated) animals in cruel and unsanitary conditions. If we continue on this path we will inevitably face more zoonotic diseases (diseases transmitted to humans from animals) and possible pandemics.
The way to prevent this is not the eradication of bats or any other species, it is a long overdue acknowledgement that wild places and the species which inhabit them are essential for the health of the planet. So make a point of telling your friends, family or neighbors that many bat species are endangered, their presence is a good sign of a healthy environment, and they consume billions & billions of mosquitoes!
I tidied a corner of my studio recently and found this piece of writing:
“A watercolor wash is beautiful to look at and satisfying to produce. You take a large brush, submerge it in watery paint then drag the brush across the surface of the dry, dimpled paper until the paint thins and the band of color breaks and cracks. Then you refill the brush with that color-quenching paint, and the white expanse of paper waits for whatever might be… When I’ve been away from Africa too long I feel like the brush which needs reloading with paint. I need to go back, to flood my senses again with the color and sensations of Africa.”
I wrote this many years ago – I’m not sure exactly when – but it still rings true, especially after a year when I couldn’t visit.
Following on from my previous posts, Boraro – Painted Dogs and Three Painted Dogs is Not a Crowd, here is Three is a Crowd-Pleaser. I didn’t originally intend to write a series of 3 posts, but after a little research I found that we humans like thinking in patterns and 3 is the lowest number we consider a pattern (if something happens once we think it’s chance, if it happens twice it’s coincidence, but if it happens 3 times we think of it as a pattern). So maybe my series of 3 posts is not an accident afterall. As IQ Doodle School’s post explains, the Rule of Three is part of “how we think, make sense of, and cluster information”. Groups of 3 are common in our language (ready, steady, go), music (choruses often occur 3 times), plays (3-act structure), art (rule of thirds) and film-making (trilogies).
In art you’ll often come across the Rule of Thirds grid. The idea is to divide your canvas into 9 equal sections and use the lines and intersections to help create a more interesting composition. For example, in landscape paintings you will often see the horizon line one-third or two-thirds of the way up the canvas, rather than half-way. Or, if your painting doesn’t have a horizon line (mine often don’t) then you can use the red dot intersections as guides for where to place items of interest. If you look at my paintings, you’ll see that the animals who are the focus of attention are usually left or right of center and often high up or low down on the canvas (close to the red dot intersections on the grid). After a while this becomes second nature so you don’t even think of the grid when you compose a painting.
In case you’re not convinced, here are 3 more interesting sets of 3’s:
I often use only three colors in a painting. There are 3 paragraphs in this blog post. And African wild dogs have tri-colored coats!
I’ve often seen painted dogs in threes, particularly in the Kalahari. 3 seems an ideal number to include in a painting. It shows multiple animals living together as a pack, without including so many animals that it becomes distracting. My previous post about Boraro – Painted Dogs (which means 3 in Setswana) is a perfect example.
Sometimes when I’ve seen threes, it may have been groups of young females or males who’ve left their natal packs looking for partners with which to form new packs. However, it could also signify a pack in trouble, with few remaining adult dogs, struggling to survive. Fewer hunters means fewer meals and fewer calories. If they have pups they may be unable to spare an adult dog to leave as a ‘babysitter’, allowing other predators to kill their pups. This is critical because raising pups is key to the future growth and success of the pack.
Consistently small pack sizes in an area usually indicate trouble – places where dogs are frequently killed by snares, prone to disease, run over on roads or persecuted by people. So in these cases three painted dogs is not a crowd, in fact 3 is not nearly as big a crowd as they need.
Boraro means ‘three’ in Setswana, the main language spoken in Botswana. My painting compositions often contain 3 animals because somehow it just works (more about this in my next post “Three is not a Crowd”).
A couple of days after I signed this painting, I decided it wasn’t finished. So I added an extra wash of quinacridone gold over the existing gold stripe at the top and, on a whim while I had the brush full of color in my hand, I added shadows beneath the dogs. Even as I painted, I realized the shadows could also be reflections, as if the dogs are standing on wet sand.
Which do you see – shadows or reflections?
My newsletter readers always get to see my art first and this painting was sold as soon as I put it in my July email newsletter. I am donating 25% of the purchase price to Painted Dog Research Trust in Zimbabwe.
Boraro – Painted Dogs – was inspired by the greeting card above. Since the start of the pandemic I’ve been painting greeting cards and sending them out to my newsletter readers and Art Safari guests. I paint several greeting card backgrounds at one time, so each set tends to have its own distinct look. Some have traditional washes as backgrounds, some have zig zag lines, some have circular motifs and some, like this one, start with horizontal lines. After the backgrounds are dry I use watercolor and/or ink to add animals, or occasionally people or trees. The cards have been fun to create and have allowed me to experiment, so you can expect to see more greeting card-inspired paintings in the future!
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We’re now taking bookings for my 2021 Art Safari. There are 6 spaces available and we’ll be staying at the wonderful Kambaku Safari Lodge in Timbavati, South Africa. (Both my 2020 safaris are full but have been postponed until 2021.) The dates are August 26-30. To whet your appetite, here are a few photos from the 2019 Kambaku Art Safaris. See full details here.
The 2021 Art Safari price is inclusive of all accommodation, art tuition, twice-daily drives, meals, laughter and wonderful wildlife!
Remember to get in touch soon if you’d like to reserve your place.
See you soon and stay well.
On Tuesday we discovered that our beautiful German Shepherd, Chase, had an inoperable tumor on his spleen which had ruptured and spread to his liver. Within an hour of being diagnosed we had to put our lovely boy to sleep. Some of you reading this will have known him. He could be cuddly and loving and funny and sometimes scary. Here are a few memories of our beautiful, complicated boy. He was nearly 10.
We got him as a 1 year old rescue. After about a week of behaving perfectly he started to settle in and we realized we had a tough character on our hands. He was handsome, long-limbed and very strong but his back end was just bones with no muscle. If you gave him any attention he demanded more, grabbing at you when you tried to leave him calmly on his mat; he chased sunlight and shadows round the house, whining and obviously upset; he wound himself into a snapping, barking, unhappy frenzy when he saw children, strollers, bikes or other dogs; he didn’t use his nose – he just used his eyes and his huge ears; he didn’t know how to walk on a leash; but he was house trained and he was very polite around food.
Years of training followed. My walks with him were often a battle of wills and, too often, a battle of strength. He walked nicely for a while to put me at ease, then he would completely lose control when we saw someone running, kids playing, squirrels, rabbits, cats, dogs or if he heard a truck with a deep, throaty engine noise. We tried different leashes but he could pull me for a few strides while wearing any of them. To add insult to injury he would try to bite me whenever I tried to regain control of him. We fenced our yard and carried on training, introducing him slowly to other dogs, to lakes and woods and all kinds of other things. Slowly he gained muscle (there were days when I wasn’t sure this was a good thing).
As many of his ‘issues’ were resolved, we saw his loving, playful nature appear. When he got up to have a drink of water during the evening, my husband Nigel would sometimes go and sit on his mat. Chase would see him there and run over, lying down and snuggling up as close as he could. If we danced to music in the kitchen while making dinner, he would join in, twisting and turning, always wanting to be touched and involved. He didn’t like his ‘pack’ to be separated. He loved going in the car. He believed that if he barked and jumped enough, one day the squirrels in our yard would fall out of the trees (one did once, but he wasn’t looking). He destroyed things that could harm us, like those dangerous expanding hose pipes! He did little leaps of joy when he knew he was getting dinner. He loved to have his meals outdoors. He loved the snow and while we shoveled the driveway, he would dig in the snow piles, putting much of it back on the driveway for us.
He had his share of injuries. He caught the tip of one ear on a thorn bush while we were out on a walk and I saw him shaking his head a lot. We were a mile from home so I stopped at a house to ask for tissues, to see if I could stop the blood dripping down into his ear. A man answered the door and immediately stepped back in shock, but did bring me some tissues. Afterwards I realized his head-shaking had covered my face, hands and clothes with blood!
He got haematomas in both ears, one after the other, so they both had to be bandaged down to his head and we were afraid they wouldn’t stand upright again, but they did, although not quite straight. He chewed ferociously on bones and toys for years as a stress reliever, then his canines started breaking (the vet said his enamel was weak from chewing on the bars of a crate when he was a pup, before we had him). So he needed root canals on 3 of his broken teeth. Then, because he hates noisy delivery trucks, he tore both his dew claws while running along the fence line and they both had to be removed.
Despite vast improvements in discipline, and many miles walked on our treadmill, he retained 1 trigger – mail vans or any large, noisy truck of any kind. His ferocity towards them increased over the years, as if he needed to keep 1 vice intact as the others receded.
One memorable day, a mail van drove up a hill towards us. Chase’s amazing hearing had informed him of its presence some time before it turned onto the street, so he was already barking and had grown about a foot in height. I stepped into a driveway and of course the van stopped close to us. I had to move out of the driveway because at that moment the homeowner arrived home in her car. As I stepped onto the grass Chase lunged for the mail van, I slipped, and the next thing I knew I was being pulled across the grass on my stomach towards the van. Luckily the mail woman was still inside and I could clearly see her widening eyes and open mouth as I hurtled towards her while mouthing the words ‘sorry’. Another neighbor chose this precise moment to exit her front door to pick up the mail and stood, rooted to the spot, as Chase reached the front of the mail van, barking crazily and trying to bite bits off it. I picked myself up, smiled weakly at them all, and dragged my barking hound away as they gaped after me. Another day of Chase: 1 Ali: 0.
But this big bad dog was also highly suspicious of plastic bags and cardboard boxes and would refuse to walk past them. If anything fell over in the house he ran a mile. If a piece of paper fell off a table, he would leave the room. He was nervous of thunder, but only when he was indoors, if he was outdoors he just ignored it. When we were gardening, he thought it was the greatest game to steal an empty plastic flower pot and prance away with it as if it was the best thing he’d ever found. During the day he would come in the house and bounce up to us, ‘asking’ us to come play soccer with him outside.
One of the things that made me most happy was that he did learn to make friends with other dogs. Rocket was a crazy doodle who didn’t mind if Chase liked to pin him to the ground in play. Visiting Gordon, Maddison and Tiberius was always the highlight of his day and he used to smile all the way there! Ajax, Paddy & Archie popped over every now and then and although they mostly ignored each other, he loved the company. All these dogs were equally mystified when the appearance of a delivery truck turned their friend into a crazed barking monster.
Chase’s illness took him so fast we feel we didn’t get time to really say goodbye, that he isn’t really gone, that maybe he’s just going to walk back in anytime. We’ll miss his dark shape lying in a shady hole he dug under a bush. We’ll miss his constant presence at our garden gate, and his ears in the rear view mirror of the car. We’ll miss almost everything about him. He was a complicated boy but gave us a life rich with experiences, love and laughter. I’m glad we were able to keep him in a safe home for 9 years. Miss you, Chase!
Every month I make a short video featuring paintings, sketches, studio shots & snippets from my life. May was still a lockdown month but the pandemic was overshadowed by the callous killing of George Floyd, and when I looked at the dates, I found there were long stretches where I hadn’t recorded anything. Here’s May 2020.
We need to support people and wildlife on Endangered Species Day. Everywhere people are suffering physically, financially and mentally from the pandemic and obviously this includes many Africans who work in tourism, wildlife research or conservation.
Much vital conservation work involves people rather than wildlife. Reducing human-wildlife conflict, conducting anti-poaching patrols, or helping rural people find sustainable income-generating opportunities are all conservation activities that help people but also ensure the continued existence of endangered species. Endangered Species Day is May 15, and I hope you will consider helping me support people and wildlife through art.
From May 15 – 22:
~ Every order of my art will include a special free gift, as a thank you from me.
~ Shipping will be free within the US, and half-price to all other destinations.
~ I’ll donate the following amounts to African conservation organizations: 50% from orders of Daily Sketches; 40% from original acrylics on canvas, 25% from limited edition prints; and 30% from original watercolor field sketches.
~ My donations will go to African People & Wildlife (Tanzania), Painted Dog Research Trust (Zimbabwe) and Cheetah Conservation Botswana.
Speaking of endangered species, last month I was able to donate US$2000 to Wilderness Foundation Africa in South Africa, from the sale of Crash – Rhino Poaching in South Africa. I’m delighted when my conservation-themed paintings help fund efforts to conserve species under threat, and South Africa’s rhinos definitely fall into that category. Read more about the painting and rhino poaching here.
Check out my art for Endangered Species Day!
WasteAid has created a Virtual Safari into the Kenyan wilderness!
It’s an immersive experience with science, culture, art, cookery and lots of wildlife to help lift spirits, and to raise money for waste collectors in low-income countries.
The safari route is around Lake Naivasha in Kenya, where WasteAid is working with local partners to improve waste collection and recycling. The entire 75-kilometre route is equivalent to 100,000 steps or 1,000 minutes exercise. Along the way you visit a number of ‘stations’ where you can complete unique challenges. You share your journey as you go, and can win prizes along the route, including 2 of my wildlife limited-edition prints!
The Virtual Safari offers a change of scenery and a fun and educational experience, while helping protect people and wildlife in poorer parts of the world.
The virtual safari opens opened on Earth Day (22 April) and stays open until World Environment Day (5 June).
Zoë Lenkiewicz, Head of Programs and Engagement at WasteAid, says:
“We wanted to create something for people to escape into and enjoy, while raising money for our urgent appeal Waste Collectors Rock! The communities around Lake Naivasha, especially those working with waste, are in poverty and vulnerable to disease – yet at the same time they are surrounded by all this incredible wildlife. We thought it would be fun to support waste collectors in places like this, by sharing the beauty and wonder of the environment they work so hard to protect.”
WasteAid shares waste management and recycling skills in the world’s poorest places and you can help them by visiting Kenya on their virtual safari!
Painting with 1 brush is a great way to learn that every brush, no matter it’s size or shape, can create a variety of unique strokes if you experiment. For a long time I didn’t make much use of my 2 inch-wide flat wash brush, but recently I completed this painting, Elephants Love Oranges, almost entirely with this brush. The width of the brush ensures that I can’t be too detailed, and even rounded shapes like the elephant are made up of lovely, angular brush strokes. It’s great for background washes, excellent for painting thorny vegetation, and wonderful for filling the negative spaces between the branches. After adding a little colored ink on the branches and thorns I decided I was done!
We’re often advised to experiment with color, but experimenting with brushes is equally important. You might even find a brush-stroke that helps define your own unique painting style.
Stay well and keep creating!
Here’s my March 2020 Art video. March was the month the Covid-19 pandemic became a reality for those of us in the US. I tried to continue as normal but this month definitely felt disjointed and I felt distracted. Take a look.
Stay healthy, stay positive, stay put!
Yes, I’m streaming from my studio live every Wednesday at 2pm EST (7pm UK time).
If you’d like a look behind the scenes; a view of what’s on my easel; a glimpse of my German Shepherd; a peek at my art materials; or a sneak preview of my next painting, join me live on my personal Facebook page.
Being an artist takes on new meaning in crazy times like these. Initially I felt that continuing to create art was self-indulgent and perhaps even a little frivolous, given the severity of the pandemic. But deep down I know art is far from frivolous. In times of difficulty art can be calming, powerful, beautiful and thought-provoking.
Artists who know the benefits of creativity (and are used to working alone in their studios) are reaching out in this distressing time to help people in their communities who are struggling with social isolation and social distancing. Artists and arts centers are offering free classes online; museums and galleries have virtual tours; and you can join many artists in their studios via live social media events. Creativity at a time like this can be a great healing force. Making something you can use, look at, listen to, watch, read, eat, wear, or even something you just throw away tomorrow, really doesn’t matter. What matters is taking time to make something. Calm your busy mind and be creative.
|Join me every Wednesday on Facebook Live at 2PM EST (7PM UK time) to see me working in my studio. If you can’t watch live, you can see the videos afterwards on Facebook or YouTube.|
There are precious few silver linings to be found in the midst of a pandemic, but there’s one change I hope to see after this is all behind us – a worldwide effort to permanently end the illegal wildlife trade, which has emptied our world of literally hundreds of millions of birds, amphibians, reptiles, mammals, invertebrates and fish.
It is believed that Covid-19 jumped the species barrier (probably from bat to pangolin to human) as a result of an insanitary wildlife market in China (see links at the end of this newsletter for more details). Assigning blame is futile, but preventing this from happening again is vital. So when life returns to normal, which it will in time, please don’t forget why this pandemic began and remember to support legislation in your own country and around the world which aims to permanently outlaw the illegal trade in wildlife or wildlife parts.
I live 25 miles north of New York City, so we have serious social distancing measures in place here. Nigel and I are only going out to walk the dog or get food. If Covid-19 has not yet reached your community, please take it seriously and follow all official guidance.
I am sending you all the very best wishes. Think how great it will be to hug and kiss your friends and family when this is all behind us!
Stay healthy, stay positive, stay put.
Working from home is something I do almost every day. As an artist I am used to being alone, creating and adhering (mostly) to my own schedule. When I look at my calendar and see an empty week ahead, with no interruptions, I’m usually very happy as it means I have a week of painting ahead. Of course I love to meet up with friends, and with other artists, but I do need my alone time to be creative.
As the Covid 19 situation develops, more people will be working from home, and it can be quite an adjustment when you are used to the routine and social nature of working in an office. So here are my tips for working from home and maintaining your sanity!
Decide what time you need to get up, in order to start work at your normal time, then set your alarm clock. Don’t wake up at midday because you stayed up till 2am watching movies.
Shower and get dressed. Don’t work in your pajamas. Start work at your normal time.
Sit at a desk or table to work. Don’t work lying on the sofa, in bed, or in front of the TV.
Take breaks as you would at work. Take your normal lunch break. Finish work at your normal time.
Keep to your usual schedule for eating, sleeping, shopping, doing laundry, exercising. Don’t spend the morning doing laundry then realize you’ll be doing work till 1am to catch up.
If it helps, find a colleague to keep you accountable. Check in with each other when you start work and during your agreed break times.
If you don’t have a lot of space, be sure to tidy your work area at the end of the day, so you don’t feel like work is all around you when you are off the clock.
Given the ever-changing news situation it’s tempting to keep an eye on the news at all times. When you work from home it’s easy to eat breakfast in front of the TV then keep it on throughout the day, so you hear the breaking news as it happens. We all know this isn’t conducive to being productive, but its so easy to do. I can tell you from bitter experience that you won’t feel better at the end of the day if you do this. (You probably also won’t feel better informed, but that’s a whole other story!) Obviously you will want to keep yourself updated on developments but try to limit it to your break times.
If you are falling asleep while working (it happens), try a 10-minute power nap. I swear by these. Set an alarm for 10 minutes and put it out of reach so you have to get up to turn it off. Or, if you aren’t a power nap person, try a quick dance instead. Or play with the dog. But then remember to go back to work.
Get outside as much as you can when you’re not working. Get some spring sunshine. Being outdoors is the best cure for stress.
Of course I’m assuming that you do want to be productive while working from home. If you don’t, here is my advice: Wake up late. Keep the TV on all day. Work on your laptop while lying in bed. If you get tired, sleep whenever you want and for however long you want. Spend hours on the phone with your friends alarming each other with talk of the latest breaking news. Don’t leave the house. Don’t exercise. Stay up late. Eat fast food as often as possible. Repeat.
Just think, when all this is over, you might be really, really happy to go back to your workplace. But I’ll still be really, really happy in my studio!
On this International Women’s Day, I would like to highlight Mama Helena Mbarnoti, an inspiring Maasai woman from the village of Loibor Siret in northern Tanzania (mama is a respectful term for a married woman in Tanzania).
African People & Wildlife’s headquarters, the Noloholo Environmental Education Center, is built on land donated by the surrounding community, where Mama Helena lives. I met her each time I visited APW and over the years have seen her strong support of APW’s work with her community. She is now a member of a women’s bee-keeping group, supported by APW, and the delicious honey produced by wild bees is sold, bringing the women their own income.
On one visit to APW, Mama Helena invited me to sketch her in her tea stall at the weekly market (above) and on my latest visit I sketched her at a meeting of the women’s bee-keeping group (below). I send copies of my sketches to everyone who features in them and when I returned to Loibor Siret in June 2019 she showed me the copy of the tea stall sketch, which she keeps at home.
All around the world women are doing incredible things (Dr Laly Lichtenfeld, co-founder of APW is another obvious example) so lets celebrate that each and every day, not just on International Women’s Day.
More next time!
Read more about APW and Mama Helena
I discovered 1SE (1 Second Everyday) a couple of years ago and it works exactly as it sounds – you select 1 second (of video or a photo) for every day and add it to your timeline, then you mash the seconds together to create a video. There’s also a Freestyle option, which doesn’t associate each entry with a date. We all know that video gets far more attention online than photos, so even if I have a selection of photos of artwork I can combine them to create a video. It’s really helpful in marketing my art and Art Safaris. I just got the Pro version ($30 annually) which allows you to remove the ISE branding and date stamp, add music etc (should have done this long ago!).
Here’s my January in Art video…
It’s also great for personal videos and it’s amazing how much 1 second of video can do to remind you of an event or day in your life. So check it out. You might just become a convert like me!