Category Archives: Conservation

Endangered Species Day 2020

Support People on Endangered Species Day

We need to support people and wildlife on Endangered Species Day. Everywhere people are suffering physically, financially and mentally from the pandemic and obviously this includes many Africans who work in tourism, wildlife research or conservation.

Endangered Species Day 2020

Endangered Species Day 2020

Much vital conservation work involves people rather than wildlife. Reducing human-wildlife conflict, conducting anti-poaching patrols, or helping rural people find sustainable income-generating opportunities are all conservation activities that help people but also ensure the continued existence of endangered species. Endangered Species Day is May 15, and I hope you will consider helping me support people and wildlife through art.
From May 15 – 22:

~ Every order of my art will include a special free gift, as a thank you from me.

~ Shipping will be free within the US, and half-price to all other destinations.

~ I’ll donate the following amounts to African conservation organizations: 50% from orders of Daily Sketches; 40% from original acrylics on canvas, 25% from limited edition prints; and 30% from original watercolor field sketches.

~ My donations will go to African People & Wildlife (Tanzania), Painted Dog Research Trust (Zimbabwe) and Cheetah Conservation Botswana.

Crash - Rhinos on Endangered Species Day

Crash – Rhinos on Endangered Species Day (photo features my painting, Thandi the rhino and Dr Will Fowlds of WFA).

Speaking of endangered species, last month I was able to donate US$2000 to Wilderness Foundation Africa in South Africa, from the sale of Crash – Rhino Poaching in South Africa. I’m delighted when my conservation-themed paintings help fund efforts to conserve species under threat, and South Africa’s rhinos definitely fall into that category. Read more about the painting and rhino poaching here.

Check out my art for Endangered Species Day!

Stay well.
Alison

Read more about:
Wilderness Foundation Africa
African People & Wildlife
Painted Dog Research Trust
Cheetah Conservation Botswana

WasteAid Virtual Safari

WasteAid Virtual Safari

WasteAid has created a Virtual Safari into the Kenyan wilderness!
It’s an immersive experience with science, culture, art, cookery and lots of wildlife to help lift spirits, and to raise money for waste collectors in low-income countries.

WasteAid Virtual Safari

The safari route is around Lake Naivasha in Kenya, where WasteAid is working with local partners to improve waste collection and recycling. The entire 75-kilometre route is equivalent to 100,000 steps or 1,000 minutes exercise. Along the way you visit a number of ‘stations’ where you can complete unique challenges. You share your journey as you go, and can win prizes along the route, including 2 of my wildlife limited-edition prints!

The Virtual Safari offers a change of scenery and a fun and educational experience, while helping protect people and wildlife in poorer parts of the world.

The virtual safari opens opened on Earth Day (22 April) and stays open until World Environment Day (5 June).

Ahead by Alison Nicholls

Ahead, 8×10″ limited edition print, 1 of the prizes for the WasteAid virtual safari.

Zoë Lenkiewicz, Head of Programs and Engagement at WasteAid, says:

We wanted to create something for people to escape into and enjoy, while raising money for our urgent appeal Waste Collectors Rock!  The communities around Lake Naivasha, especially those working with waste, are in poverty and vulnerable to disease – yet at the same time they are surrounded by all this incredible wildlife. We thought it would be fun to support waste collectors in places like this, by sharing the beauty and wonder of the environment they work so hard to protect.”

WasteAid shares waste management and recycling skills in the world’s poorest places and you can help them by visiting Kenya on their virtual safari!

Safari njema!
(Travel well).
Alison

www.ArtInspiredbyAfrica.com

Art in Crazy Times - Alison Nicholls

Art in Crazy Times

Being an artist takes on new meaning in crazy times like these. Initially I felt that continuing to create art was self-indulgent and perhaps even a little frivolous, given the severity of the pandemic. But deep down I know art is far from frivolous. In times of difficulty art can be calming, powerful, beautiful and thought-provoking.

Zebras In Mopane, acrylic by Alison Nicholls

Zebras In Mopane, acrylic by Alison Nicholls

Artists who know the benefits of creativity (and are used to working alone in their studios) are reaching out in this distressing time to help people in their communities who are struggling with social isolation and social distancing. Artists and arts centers are offering free classes online; museums and galleries have virtual tours; and you can join many artists in their studios via live social media events. Creativity at a time like this can be a great healing force. Making something you can use, look at, listen to, watch, read, eat, wear, or even something you just throw away tomorrow, really doesn’t matter. What matters is taking time to make something. Calm your busy mind and be creative. 

Join me every Wednesday on Facebook Live at 2PM EST (7PM UK time) to see me working in my studio. If you can’t watch live, you can see the videos afterwards on Facebook or YouTube. 

Art in Crazy Times - Alison Nicholls

There are precious few silver linings to be found in the midst of a pandemic, but there’s one change I hope to see after this is all behind us – a worldwide effort to permanently end the illegal wildlife trade, which has emptied our world of literally hundreds of millions of birds, amphibians, reptiles, mammals, invertebrates and fish.

It is believed that Covid-19 jumped the species barrier (probably from bat to pangolin to human) as a result of an insanitary wildlife market in China (see links at the end of this newsletter for more details). Assigning blame is futile, but preventing this from happening again is vital. So when life returns to normal, which it will in time, please don’t forget why this pandemic began and remember to support legislation in your own country and around the world which aims to permanently outlaw the illegal trade in wildlife or wildlife parts.

Elephant and Impala by Alison Nicholls

Elephant and Impala field watercolor by Alison Nicholls

I live 25 miles north of New York City, so we have serious social distancing measures in place here. Nigel and I are only going out to walk the dog or get food. If Covid-19 has not yet reached your community, please take it seriously and follow all official guidance.

I am sending you all the very best wishes. Think how great it will be to hug and kiss your friends and family when this is all behind us!

Stay healthy, stay positive, stay put.
Alison

Tea Stall sketch by Alison Nicholls

International Women’s Day

On this International Women’s Day, I would like to highlight Mama Helena Mbarnoti, an inspiring Maasai woman from the village of Loibor Siret in northern Tanzania (mama is a respectful term for a married woman in Tanzania).

Tea Stall sketch by Alison Nicholls

Mama Helena at her tea stall, painted in watercolor by Alison Nicholls

African People & Wildlife’s headquarters, the Noloholo Environmental Education Center, is built on land donated by the surrounding community, where Mama Helena lives. I met her each time I visited APW and over the years have seen her strong support of APW’s work with her community. She is now a member of a women’s bee-keeping group, supported by APW, and the delicious honey produced by wild bees is sold, bringing the women their own income.

On one visit to APW, Mama Helena invited me to sketch her in her tea stall at the weekly market (above) and on my latest visit I sketched her at a meeting of the women’s bee-keeping group (below). I send copies of my sketches to everyone who features in them and when I returned to Loibor Siret in June 2019 she showed me the copy of the tea stall sketch, which she keeps at home.

Womens Meeting sketch by Alison Nicholls

Women’s meeting (Mama Helena on left) in northern Tanzania, by Alison Nicholls

All around the world women are doing incredible things (Dr Laly Lichtenfeld, co-founder of APW is another obvious example) so lets celebrate that each and every day, not just on International Women’s Day.

Mama Helena Photo: African People & Wildlife/Laura Milton

Mama Helena Photo: African People & Wildlife/Laura Milton

More next time!
Alison
www.ArtInspiredbyAfrica.com

Read more about APW and Mama Helena

Bald Eagle by Nigel Nicholls

World Wildlife Day 2020

On this World Wildlife Day try imagining a world without wildlife. Why? Because the survival of millions of species (some as yet unknown to science) is in our hands. Quietly and unnoticed by many of us, wildlife is vanishing from the woods, skies, oceans, streams and rivers, plains, mountains and deserts. Some species thrive in our backyards, towns & cities, but around the world many, many, more are declining at a horrifying speed. 

Bald Eagle by Nigel Nicholls

A Bald Eagle sits on a dead tree in Yellowstone.   Photo by Nigel Nicholls.

As a species we can be destructive and cruel, but we are also creative, caring and extremely powerful. With the right help, we can bring species back from the brink of extinction. America’s Bald Eagle is a notable example.

Life finds a way. That is the well-known saying. But ‘finding a way’ is becoming increasingly difficult for many species as habitat is lost, water and air polluted. So, on this World Wildlife Day, lets make a decision to help wildlife find a way, because a world that is healthier for wildlife is a world that is healthier for us too.

Check out Nature Needs Half.

More next time!
Alison
www.ArtInspiredbyAfrica.com

Crash - Rhino Poaching in South Africa, painting by Alison Nicholls

Crash – Rhino Poaching in South Africa

Crash features the rhino poaching crisis in South Africa and the painting even includes a line indicating the poaching statistics for the last few years. It has been on my drawing board for many months, but after hearing a talk by Dr Will Fowlds, Project Co-ordinator for Wilderness Foundation Africa (WFA), I decided to complete the painting and donate a large percentage of the purchase price to WFA.
 
Crash - Rhino Poaching in South Africa, painting by Alison Nicholls

Crash, acrylic & ink on canvas, 20×30″

Crash – Rhino Poaching in South Africa
 
Crash is the collective noun for a group of rhinos, and sadly it also sums up the downward spiral of rhino numbers worldwide. In South Africa more than 1,000 rhinos were killed for their horns every year from 2013 to 2017, and a horrifying 1,215 dead rhinos were recorded in 2014 alone. The number of rhinos killed by poachers dropped to 769 in 2018, but the consensus is that poaching continues at high levels, while the drastically reduced rhino population has just made rhinos harder for poachers to find. Rhinos in some reserves are protected by military style anti-poaching units, because well-armed poachers are often organized by the international cartels who run drugs and guns. Corrupt wildlife & government officials, police officers, judges and reserve owners have played their part on the killing fields, while many brave rangers have died across Africa protecting rhinos.
 
African black rhinos (Diceros bicornis) and white rhinos (Ceratotherium simum) are both vulnerable to poaching, killed for their horns which are smuggled to Asia for use in traditional medicines. A growing Asian middle class with purchasing power has increased demand, and a Vietnamese Cabinet Minister who claimed rhino horn cured his cancer exacerbated the situation. Advertising in China and Vietnam has educated some consumers, explaining that rhinos are brutally killed to obtain their horns; that the horn is made of keratin, a protein found in hair and fingernails; and that the horn has no significant medicinal properties, however, some wealthy consumers now buy rhino horn purely as a social status symbol.
 
My painting, Crash, echoes the striking ancient rock art found across South Africa. It shows a black and a white rhino, and beneath them human figures stalking & shooting, hacking off a horn and selling it to a middleman. 2 rhino-head outlines are hidden on the left side of the painting, and the deep rock crevice is a reproduction of a graph showing rhino poaching statistics in South Africa between 2003 and 2018. There are small dots along the line, starting at bottom left, indicating annual figures. The baseline or horizontal axis is not shown, but lies just below the dot for 2004. Every 2 inches (5cms) in vertical height from the baseline represents 100 dead rhinos. The figures for individual years are as follows: 22 rhino deaths (2003), 10 (2004), 13 (2005), 24 (2006), 13 (2007), 52 (2008), 84 (2009), 333 (2010), 448 (2011), 668 (2012), 1004 (2013), 1215 (2014), 1175 (2015), 1054 (2016), 1028 (2017), 769 (2018).
 
Crash - Rhino Poaching in South Africa, painting by Alison Nicholls
 
South Africa is currently home to approximately 39% of Africa’s remaining 5,500 black rhinos and 93% of Africa’s remaining 17,000-19,000 white rhinos. South Africa’s poaching crisis is particularly shocking, but rhinos are being killed for their horns in every African country in which they live. If the poaching continues unabated, future generations will see rhinos through the eyes of our ancestors, as paintings on cave walls, instead of watching them living wild in the African bush.
 
US$2000 from the sale of this painting will be donated to Wilderness Foundation Africa to support the dedicated people working to protect Africa’s amazing rhinos.
 
***
 
On the 2015 Africa Geographic Art Safari at Kariega Game Reserve, we saw Thandi, a white rhino and her young calf. Our guide told us the harrowing story of Thandi and how she survived being poached, left in agony with a large portion of her face destroyed after the poachers hacked off her horn. No-one knew if she could survive but she was treated with all kinds of new techniques by the vet on the scene – Dr Will Fowlds. Thandi’s recovery has been astonishing and hopeful, especially as she is now helping to bring life to a new generation of rhinos.
Thandi & calf, Kariega Game Reserve

Thandi & calf, Kariega Game Reserve

I hope Crash will help bring more awareness of the rhino poaching crisis and also raise some much-needed funds for the protection of rhinos.
Alison
 
www.ArtInspiredbyAfrica.com
Paws Trails Explorer article about Alison Nicholls

Paws Trails Explorers

I and my art inspired by Africa have been featured in the beautiful Paws Trails Explorers digital magazine. The article is in the Wild Arts Showcase and focuses on my watercolor and ink work created from life in the African bush. I talk about why sketching from life is so important to me; how I gathered the courage to start; which materials work well and which were disastrous; how my work changed when I connected with conservation organizations; and how my art now benefits those same groups.

Paws Trails Explorer article about Alison Nicholls

To read the Paws Trails Explorers article, click the image above and go to page 92 or you can find it online here at http://www.pawstrails.com/  (Dec 2019 / Jan 2020 Issue #20). The photography in the magazine is quite stunning and I’m delighted to have my art featured in the Wild Arts Showcase section. You might want to consider joining the Paws Trails Explorers mailing list so you receive future issues.

Enjoy!
Alison

www.ArtInspiredbyAfrica.com

 

Lion in ink by Alison Nicholls

Lion in Ink

Lion in ink was completed after the lioness (see previous post) and although 1 is vertical and 1 is horizontal, I think they make a great pair.Lion in ink by Alison Nicholls

Lion in ink took me 20 minutes to create, and is 1 of my daily sketches on yupo paper, based on a photo taken by my husband, Nigel. You can see this is a young male because his mane has started growing in. Males have to leave their natal pride and often struggle as they improve their hunting skills and avoid territorial pride males. Eventually, if he is smart, healthy, and lucky, he may be a pride male himself.

My daily sketches are for sale at my Etsy store, with 50% of the purchase price donated to various African conservation organizations. 10-minute sketches are $60, and 20-minute sketches are $80, with free shipping in the US (and very reasonable shipping elsewhere in the world!).
Enjoy!
Alison

www.ArtInspiredbyAfrica.com
My Etsy Store: https://www.etsy.com/shop/AlisonNichollsArt
Follow Nigel on Instagram: https://www.instagram.com/nigel.nicholls_photography/

Lioness in ink by Alison Nicholls

Lioness in Ink

After 10 minutes, when I hadn’t finished this Lioness in ink, I decided to just keep going for another 10 minutes because I thought she was worth finishing.

Lioness in ink by Alison Nicholls

Lioness in ink by Alison Nicholls

When I look at this lioness, I’m amazed that I was able to confidently draw her directly in ink without screwing the whole thing up! Reminding myself that its just a drawing on a piece of paper (yupo actually) helps a lot. But its evidence of how far I think I’ve come in the last couple of years and particularly since I started my daily sketches.

The subject matter for my daily sketches are photos by my husband, Nigel. They are all for sale at my Etsy store, with 50% of the purchase price donated to various African conservation organizations. The 10-minute sketches are $60 and the 20-minute sketches are $80, with free shipping in the US (and very reasonable shipping elsewhere in the world!).
Enjoy!
Alison

www.ArtInspiredbyAfrica.com
My Etsy Store: https://www.etsy.com/shop/AlisonNichollsArt
Follow Nigel on Instagram: https://www.instagram.com/nigel.nicholls_photography/

Elephants at Water IV

Sketch For Survival 2019

Its Sketch for Survival time!

And you can bid on my donated painting, sketched in watercolor from life at The Bush House in South Africa.  Here’s I am, slightly speeded up, painting the watercolor.

In case you’re wondering, I don’t have eyes as sharp as an eagle – the camera angle just makes the elephants and zebras look much further away than they really were! 

Bids on this painting start at $75 and all the money raised goes to Sketch For Survival’s 2019 conservation beneficiaries – Ape Alliance, Giraffe Conservation Foundation, Painted Dog Conservation and the Mariamma Charitable Trust.

Elephants at Water IV

Elephants at a waterhole, painted from life in South Africa

What is Sketch for Survival? It’s an annual exhibition and sale of wildlife art in aid of conservation. The art, donated by leading wildlife artists, illustrators, cartoonists, celebrities, explorers and photographers, comprises sketches, studio art, illustrations and cartoons depicting endangered wildlife. The exhibit will be shown in the UK in Bristol, Harrogate & Norwich before appearing at the Royal Geographical Society in London on Thursday 14 November. Special guests will include Ian Redmond OBE from Ape Alliance, renowned for his work with both Great Apes and Elephants, Dr Julian Fennessy from Giraffe Conservation Foundation, and representatives from Painted Dog Conservation in Zimbabwe. The online auction will finish on Sunday 17th November, 2019.

So go on, place a bid on my painting now and see all the other artwork too. And if you’re in the UK, visit one of the venues and see the artwork in person.
Take care,
Alison

Read more about Sketch for Survival and Explorers Against Extinction.

 

Sketch of rural women in Tanzania, by Alison Nicholls

Women in Tanzania

Rural women in Tanzania usually have a fairly low status in society and are often completely dependent on their husband, even though women do much of the work in rural households.

Loibor Siret Womens Meeting

Loibor Siret Women’s Meeting

African People & Wildlife (APW) works in conjunction with many rural communities in Tanzania, and together their initiatives are helping women become financially independent, giving them a voice in the decision-making of their families and their communities. Bee-keeping is one such initiative and has the added advantage of protecting habitat because Tanzania has a strong Bee-Keeping Act which ensures that land cannot be farmed or cleared around beehives.

Sketch of rural women in Tanzania, by Alison Nicholls

Women’s Meeting, ink and watercolor sketch from life by Alison Nicholls

Learning about the bee-keeping initiative, which involves more than 1200 women, and being able to sketch after a meeting of the Loibor Siret women’s bee-keeping group, is a thrill. There can be few things better for a sketch artist than sitting in a rural village, surrounded by the sights & sounds of everyday life, while sketching a group of women chatting under a shady tree. This was my 4th visit to APW and it is wonderful to be recognized and greeted enthusiastically by women I have sketched on my previous visits.

Mama Helena sketch by Alison Nicholls

Mama Helena Beading, ink sketch from life by Alison Nicholls

Mama Helena, shown beading in the sketch above, invited me to sketch at her homestead afterwards, and sent one of her grandchildren to fetch a sketch I did of her last time I was in Tanzania, 5 years ago!

Alison Nicholls Sketching

Alison Nicholls sketching in Tanzania

Sketching with an audience is something I am completely used to and it’s fun to see the children’s faces as the sketch progresses and they recognize the person I am sketching.

Alison Nicholls Sketching

Not all my sketches go to plan!

I’m making copies of my sketches to be sent back to Tanzania, but I hope my next visit to APW will be in the very near future.
Alison

Learn more about African People & Wildlife.
www.ArtInspiredbyAfrica.com

Art in Tanzania with Alison Nicholls

Art in Tanzania

I see natural artistic talent every time I teach a children’s art class but it is particularly striking to see when you know the children have no art lessons at school, no access to art materials at home, and little exposure to art online or in print. Unfortunately, this can describe children anywhere in the world, including many parts of the the US & Europe, but on this occasion I am thinking of children in classes I taught while visiting African People & Wildlife (APW) in Tanzania.

One class was for students in the APW Summercamp and one for students at Loibor Siret Elementary School (this class also included teachers from other schools who wanted to see the classes in action). I have animal drawing cards which show a photo of an animal (wildlife & livestock) then the simple shapes and lines you can use to create a drawing of the animal. We aim to do 4 in an hour-long class, so the children concentrate on drawing the shape of the whole animal, not the detail on their faces or coats. As you can see, the opportunity to draw is really appreciated by the children and the teachers too!

The children you see in this video are members of their respective schools’ Wildlife Clubs (set up with help from APW). The highest achieving and most involved children in the Wildlife Clubs can earn a much sought-after place at APW’s Environmental Summer Camp – a week-long camp of learning activities at the Noloholo Environmental Center. Children who attend Summer Camp become eligible for selection for an APW Noloholo Environmental Scholarship, giving that child a full scholarship to secondary/high school at a good boarding school in the town of Arusha.

The cost for each scholarship is US$1200 per year. If you are able to offer a child this invaluable gift of education, please Donate via the APW website and choose this option:


(Please note: No child is selected for a scholarship unless funds are available for their entire secondary/high school education, so there will never be a case of a child receiving a partial education. However, although it is desirable to donate annually, you can choose to make a 1-time donation of this amount too.)
Thank You!
Alison

Learn more about African People & Wildlife.

Murals in Tanzania

Mural Magic in Tanzania

A major reason for my return to African People & Wildlife (APW) in Tanzania was to help with murals in 3 rural schools. The students created the designs using their own drawings and some images I supplied, then I made stencils to help transfer the outlines onto the walls quickly. The stencils proved very helpful and as a result it took each set of students only 1 day to finish their murals.

The name of the school and village (Loibor Siret, Kangala or Narakauo) is shown at the top of each wall, and the school’s Wildlife Club name is at the bottom. The Wildlife Clubs were set up with help from APW, and Noloholo is APW’s Environmental Center and headquarters. So Noloholo Simba Klabu means Noloholo Lion Club in Swahili. The other schools have twiga (giraffe) and faru (rhinoceros) as their symbols. I am making more stencils out of canvas (featuring different animals for other Wildlife Clubs) so more murals can be created by the students with help from APW.

I have visited APW 4 times, and every time I am struck by their continued success in “finding the balance for communities & wildlife”. There will be much more about my recent visit coming soon!

Learn more about African People & Wildlife.
Read about my previous visits to APW.

Thanks for watching!
Alison
www.ArtInspiredbyAfrica.com

Music on this video is royalty free, titled Acoustic Breeze, from www.Bensound.com

Alison Nicholls art materials for Tanzania

Packing for Tanzania

I’ll be off to Tanzania again in a couple of weeks, visiting African People & Wildlife to help with some murals in rural schools and do some art classes for teachers and students. Somehow, I hope to do some of my own sketching too, so here’s my latest video showing what I’m taking with me. You can read about my previous visits to APW here.
More soon!
Alison

Murals at APW

Murals in Tanzania

Painting on a wall while standing on a wobbly plank balanced between 2 wobbly supports, is something many artists will have done I’m guessing.

Alison Nicholls in Loibor Siret

Drawing out the initial mural design                                                African People & Wildlife

I was visiting African People & Wildlife, near Tarangire National Park, learning about the organization and their successful work with communities to allow people and wildlife to co-exist on the Maasai Steppe. Part of my visit involved art-related activities and on this occasion I was drawing out the design for a mural at the Loibor Siret primary school, so that the students could paint it. We were designing as we went along but it worked out well.

Mural design at APW

Mural design                                           photo: Deirdre Leowinata / AfricanPeople&Wildlife

Some of the paint literally slipped off the wall as we painted it on, so we have nothing red in the finished mural. And the brushes lost so many hairs that the lions took on a far more realistic look than I could have possibly hoped for!

Murals at APW

photo: Deirdre Leowinata / AfricanPeople&Wildlife

But many enthusiastic and capable hands made the whole experience great, and sometimes the trials are what the best memories are made of. I’m going back in June and this time the designs are being drawn up by the students, winners will be decided in advance, and with a bit of luck, 3 schools will end up with colorful murals designed and painted by members of the school community. However, this time I’m bringing brushes with me, and we’ll buy a different kind of paint. Live and learn!

Alison
www.ArtInspiredbyAfrica.com

Wild Elephants sketch by Alison Nicholls

10-Minute Daily Sketches on Etsy

A 10-minute daily sketch is a great way to start the day, keep my sketching skills up to speed, and experiment with line and color. Every piece is unique. They are available at my Etsy Store priced at only US$60 each and 50% of the proceeds are donated to African conservation organizations. I begin each one with an ink drawing then add watercolor or fluid acrylic if time allows.

Wild Elephants sketch by Alison Nicholls

Wild Elephants sketch by Alison Nicholls

These daily sketches began when I attended a Portrait Party organized by New York City Urban Sketchers. There were nearly 100 artists, divided into groups of 12 and we sketched each person in our group, one at a time,  for 10 minutes. I enjoyed this experience so much that I continued doing a 10-minute portrait sketch every day after that.

Leopard Lines sketch by Alison Nicholls

Leopard Lines sketch by Alison Nicholls

Soon I decided to revert to my usual African subject matter as I realized this would be a great way to keep my sketching skills up to speed for when I return to Africa and sketch animals from life.  As my daily sketches started accumulating I decided to sell them on  my Etsy Store, with 50% of the proceeds donated to the African conservation organizations I support. These include African People & Wildlife (Tanzania), Painted Dog Research Trust (Zimbabwe), Cheetah Conservation Fund (Namibia) and others.

Kudu Bull sketch by Alison Nicholls

Kudu Bull sketch by Alison Nicholls

My daily sketches are based on the amazing photos taken over the years by my husband, Nigel. Working directly from photos is not normally something I do, but when I set a 10-minute deadline I have to concentrate on the basics and eliminate unnecessary detail, just like I do when I’m sketching from life in Africa.

Painted Purple (painted dogs) by Alison Nicholls

Painted Purple (painted dogs) by Alison Nicholls

Every sketch is unique, priced at only $60 and 50% of the proceeds are donated to African conservation organizations. I’ll be posting new pieces to my Etsy Store every few days so please join me for my 10-minute daily sketch journey!

Alison
www.ArtInspiredbyAfrica.com

See my husband, Nigel’s photos on Instagram.
Visit African People & Wildlife website.
Visit Cheetah Conservation Center website.
Visit Painted Dog Research Trust website.
Visit NYC Urban Sketchers Facebook Group.

Giraffes fighting photo by Alison Nicholls

Its World Giraffe Day!

Lets celebrate World Giraffe Day by watching giraffes in South Africa. These 2 bulls are practicing their fighting techniques. When its serious, their huge, bony heads hit each other with a ferocious force which can knock a giraffe off its feet. Not the kind of behavior you’d expect from a giraffe, right?

I’ve seen a real fight only once, and it was very short, but violent. It was in Hwange National Park in Zimbabwe. The bull on the left quickly realized he was out-matched and made a run for it, but only after a few heavy blows meted out by his opponent.

Giraffes fighting photo by Alison Nicholls

On this World Giraffe Day, remember that although giraffes can fight each other, they can’t fight habitat loss or poaching. So consider a donation to the Giraffe Conservation Foundation to help this amazing species.

Alison
www.ArtInspiredbyAfrica.com

 

Safari Night at the Explorers Club

Alison Nicholls-Safari Night at the Explorers Club

Alison Nicholls speaking about how Africa inspired her art, at The Explorers Club, New York City.

Last night I was fortunate to be sharing the stage at The Explorers Club during Safari Night, which was organized by Ann Passer and Alan Feldstein. There was wonderful music, singing and dancing from Cameroon and Tanzania, excellent food from various African countries, and speakers on topics covering the Cheetah Conservation Fund in Namibia; clips from Born to Explore including a visit with the Hadzabe in Tanzania; the evolution of safari companies; panotriptychs of extraordinary conservationists; an update from Zimbabwe; discussion of neurosurgery in Tanzania and an introduction to remarkable Rwanda.

Richard Wiese showing clips from Born to Explore.

I spoke about the size of Africa and how living there inspired various features of my art – space, color and subject matter. I also digressed slightly into why no-one who goes to Africa should do a “walking with lions” experience. (Basically because you can only walk safely with young lions, as soon as they get older they are more dangerous. So what happens to them once they get too large to safely walk with tourists? They can’t be released as they are used to people and can’t hunt. The most likely end is a sad one – they are sold to canned hunting operations and shot. Their bones may even end up being sold to meet the increasing international demand for lion bone.)

I did end on a more amusing note though:
When I was planning to move to Zimbabwe from London, I was asked a question by many Londoners. Years later, when I was planning to move to New York from Botswana, I was asked the very same question by many Batswana (citizens of Botswana). The question was: “Isn’t it dangerous there?”

Everything is relative…
Take care
Alison

www.artinspiredbyafrica.com

Gigantic Giraffes!

Today is World Giraffe Day.
So, in honor of these towering tree-nibblers, here are a variety of giraffes in art.

Browsing Giraffe Field Sketch by Alison Nicholls ©2015

Browsing Giraffe Field Sketch, 11×14″ by Alison Nicholls ©2015. Limited edition available.

2 giraffes, painted in blue, look out over the bush, by Alison Nicholls

Giraffes, 6×4″ watercolor. Original Sold.

Stages of a giraffe sketch by Alison Nicholls

How to sketch a giraffe. Photo by Nigel Nicholls.

We all know what a giraffe looks like, right?
Well I challenge you to sketch the giraffe above.
Now, tell me, aren’t giraffes put together in a strange way? Its amazing that they can stand up, let alone walk or run anywhere. Or drink.
As with so many large mammals, their numbers have been dropping far too fast in recent decades due to habitat loss & the bushmeat trade among other things.
So, I’m donating 25% from the sale of my remaining Browsing Giraffe limited editions (see above) to the Giraffe Conservation Foundation (GCF). One of the limited editions has been donated to Longnecks for Longnecks a fundraiser for GCF in Orlando, Florida on Thursday. So join them for an evening out in support of gentle giants!
Alison
www.ArtInspiredbyAfrica.com
White-backed vultures acrylic painting by Alison Nicholls, 8x8"

Fascinating Vultures!

Yes, I really do believe that vultures are fascinating! I imagine you either agree with me, or you are pulling some kind of disgusted face. So let me explain. I’m a fan of vultures and love to sketch them (I haven’t created many studio paintings of them, but am hoping to remedy this over the next few years). Their amazing eyesight allows them to spot a carcass from vast distances and they follow other vultures if they start to descend. If they land in trees, maybe they’ve seen a predator near the carcass and need to be cautious. If they swoop to the ground with feet splayed like grappling hooks and land close to the carcass, there are likely to be no predators present. They have an immediately recognizable silhouette, even though there is great variety among vulture species.

White-backed vultures acrylic painting by Alison Nicholls, 8x8"

White-backed Vultures, 8×8″ acrylic by Alison Nicholls ©2017

You might think vultures are common across Africa, but this is no longer the case. Some species, like White-backed Vultures (Gyps africanus) are listed on the IUCN Red List as Critically Endangered. Their numbers are declining due to electrocution and collisions with power lines; habitat loss; trade in vulture parts; loss of large ungulate populations which are their main food source; and inadvertent or intentional poisoning. (Poison is sometimes applied to livestock or wildlife carcasses by people in rural areas as a means of killing predators, but this can result in the death of dozens of vultures at a time, as well as the death of any other mammal, bird, reptile or insect which feeds on the carcass.)
One morning in Tanzania’s Serengeti National Park, we set out for a drive and found the carcass of a young wildebeest. It was completely untouched and had obviously died of natural causes during the night. White-backed vultures, a couple of Rüppell’s vultures and some maribou storks had found the carcass and were collecting around it. Later that same day we passed the spot again and found a completely clean, intact skeleton. I wish I had taken a photo, but I’m afraid I didn’t.
White-backed Vultures drawing by Alison Nicholls ©2017

Studio drawing for White-backed Vultures by Alison Nicholls ©2017

Vultures have an amazing ability to digest rotting flesh without getting sick. Imagine the great wildebeest migration without any vultures to clean up the remains of the many animals who die along the way. There are occasions when dozens of animals die crossing the Mara river – crushed by the weight of animals around them. Crocodiles and other predators would eat their fill, but they alone can’t handle the number of carcasses. Bodies would pile up on the banks and in the river, poisoning the water as it travels out of the national park towards Lake Victoria and the Nile, where thousands of people live along the shores.
So next time you pull a face at the idea of vultures, remember that they, like every other living creature, perform an amazing and necessary function.
A little respect for the fascinating vulture, please!
Take care
Alison
www.ArtInspiredbyAfrica.com
Elephants in Brown by Alison Nicholls

Endangered Species Day Donations

Today is Endangered Species Day.  This is not a day we should need on our calendars, but unfortunately it comes around every year, with more and more species falling into the ‘endangered’ bracket.

Restful Field Sketch © Alison Nicholls

Restful Field Sketch – 8×10″ original watercolor on paper, unframed, US$200. A donation of US$70 will be made to Cheetah Conservation Botswana from this sale.

 

We hear about the plight of charismatic species like lions, cheetahs and painted dogs, but habitat loss, the bushmeat trade, the pet trade and human-wildlife conflict are pushing a huge percentage of our Earth’s species towards ‘endangered’ status. It is downright depressing.

Lioness and Cubs Field Sketch by Alison Nicholls ©2016

Lioness & Cubs Field Sketch – 11×14″ original watercolor on paper, unframed, US$300. A donation of US$105 will be made to African People & Wildlife in Tanzania from this sale.

So what can we do?
A lot.

Dog Pack Field Sketch © Alison Nicholls 2015

Painted Dogs in the Morning Field Sketch – 11×14″ original watercolor on paper, unframed, US$300. A donation of US$105 will be made to Painted Dog Research Trust in Zimbabwe from this sale.

Get involved, particularly in your own local area. Make sure your local politicians know how important the environment is to you. Stand against destructive development projects and stand up for sustainable long-term solutions. Protect invaluable wetlands, forests, plains and wild places, not just because they are beautiful and provide necessary habitat for numerous species, but because they provide us with recreation and employment opportunities, and because they are essential to our own well-being.

Elephants in Brown Field Sketch by Alison Nicholls ©2016

Elephants in Brown Field Sketch – 11×14″ original watercolor on paper, unframed, US$300. A donation of US$105 will be made to African People & Wildlife in Tanzania from this sale.

It is not eliteist to stand up for our stunning planet and its inhabitants. It is absolutely necessary.

Cheetah Trio Field Sketch © Alison Nicholls

Cheetah Trio Field Sketch – 11×14″ limited edition reproduction, printed on watercolor paper, unframed, 25 copies only, US$120 each. A donation of US$36 will be made to Cheetah Conservation Botswana from this sale.

And if donating to African conservation organizations is important to you, you can take a look at some of my work and know that for today, and throughout the weekend, I will be making large donations from any sale. I will also be offering free shipping within the continental US and half-price shipping elsewhere in the world.
Lets make Endangered Species Day unnecessary.
Thank you.
Alison

Alison Nicholls
alison@artinspiredbyafrica.com

Painted Dog pups by Nigel Nicholls

What Does Endangered Look Like?

Endangered looks like this…

Painted Dog by Nigel Nicholls

photo by Nigel Nicholls

And this…

Painted Dog by Nigel Nicholls

photo by Nigel Nicholls

and this…

Painted Dog by Nigel Nicholls

photo by Nigel Nicholls

Endangered is losing 99% of your population in just over 100 years…

Painted Dog by Nigel Nicholls

photo by Nigel Nicholls

And no longer being found in 25 of the 39 African countries you once roamed…

Painted Dog by Nigel Nicholls

photo by Nigel Nicholls

The Painted Dog (also known as the African wild dog) is endangered.
Approximately 500,000 of these never-domesticated wild canids existed around 1900. Today there are closer to 5,000. But the strength of these dogs is in their pack. They live and hunt together. They feed their sick. They share their food. They all care for the pack’s pups. One for all and all for one!

Humans have pushed them to the edge of extinction by pushing them out of their natural habitat and reducing their natural prey, by killing them as vermin, accidentally catching them in snares meant for other species and killing them on roads. But we can help them too. The Painted Dog Research Trust (PDRT) works in Zimbabwe, one of the last strongholds of the dogs, to conserve them using science & education.

Painted Dog by Nigel Nicholls

photo by Nigel Nicholls

You can help too!

Join Dr Gregory Rasmussen from PDRT at the Rye Arts Center on March 17 from 7.30-10pm. Learn about the amazing social life of the dogs, hear their strange calls, sip South African wines, try tasty hors d’oeuvres and see arts and crafts of Africa. Your entire $50 admission fee will be donated to PRDT to fund anti-poaching patrols, research and other vital programs.
Please RSVP to me. If you cannot attend please consider making a donation. Drop me an email and I’ll tell you how.
Thank you!

Alison Nicholls
alison@artinspiredbyafrica.com

Wildlife Art: Field to Studio at the Flinn gallery, Greenwich, CT, with artist Alison Nicholls

An Exhibition in Images: Opening Reception

Part II of an exhibition in images features the Opening Reception. The exhibition is Wildlife Art: Field to Studio at the Flinn Gallery in Greenwich, Connecticut, which features field work and studio work from 7 Signature members of the Society of Animal Artists. Each artist works in a different region of the world: Alison Nicholls (Africa); David Rankin (India); Karryl (Rocky Mountains); Carel Brest van Kempen (Central America); Kelly Singleton (Alaska); Sean Murtha (Long Island Sound) and Susan Fox (Mongolia). The exhibit is on display until May 4, 2016.

Wildlife Art: Field to Studio at the Flinn gallery, Greenwich, CT, with artist Alison Nicholls

The fun begins… (l to r) Susan Fox, David Rankin, Karryl, Sean Murtha, Alison Nicholls

Wildlife Art: Field to Studio at the Flinn gallery, Greenwich, CT, with artist Alison Nicholls

Pre-opening photo shoot…

Wildlife Art: Field to Studio at the Flinn gallery, Greenwich, CT

Guests start to arrive…

Wildlife Art: Field to Studio at the Flinn gallery, Greenwich, CT, with artist Alison Nicholls

Alison Nicholls with Ambassador & Mrs Ntwaagae of Botswana…

Wildlife Art: Field to Studio at the Flinn gallery, Greenwich, CT

More guests arrive…

Wildlife Art: Field to Studio at the Flinn gallery, Greenwich, CT, with artist Alison Nicholls

Another pre-opening shot, in front of work by Carel Brest van Kempen…

Wildlife Art: Field to Studio at the Flinn gallery, Greenwich, CT, with artist Alison Nicholls

A few words by one of the curators, Lillian Lum…

Wildlife Art: Field to Studio at the Flinn gallery, Greenwich, CT

The guests listen to the brief presentation…

Wildlife Art: Field to Studio at the Flinn gallery, Greenwich, CT

Stripes are in… (artwork by David Rankin)

Wildlife Art: Field to Studio at the Flinn gallery, Greenwich, CT

Seeing the exhibit…

Wildlife Art: Field to Studio at the Flinn gallery, Greenwich, CT

Sculptor Karryl explain her work to a young visitor…

Wildlife Art: Field to Studio at the Flinn gallery, Greenwich, CT

Pinnacle, sculpture by Karryl, presides over the reception…

Over 260 visitors attended the opening reception and the evening was a resounding success. But this was just the start of a busy weekend of events. Next time I will show you images from the Children Sketching Animals!

Wildlife Art: Field to Studio is curated by Lillian Lum, Claudia Schipper & Alice Sherwood. It is on display until May 4 at the Flinn Gallery in Greenwich, Connecticut.

Please come and join me for a guided tour of the exhibition!
Alison

www.ArtInspiredbyAfrica.com
A donation is made to African conservation from every sale.

Wildlife art exhibition setup at the Flinn Gallery, Greenwich, CT.

An Exhibition in Images: Setup

This is the story of an exhibition…in images. The exhibition is Wildlife Art: Field to Studio at the Flinn Gallery in Greenwich, Connecticut, which features field work and studio work from 7 Signature members of the Society of Animal Artists. Each artist works in a different region of the world: Alison Nicholls (Africa); David Rankin (India); Karryl (Rocky Mountains); Carel Brest van Kempen (Central America); Kelly Singleton (Alaska); Sean Murtha (Long Island Sound) and Susan Fox (Mongolia). The exhibit is on display until May 4, 2016, and on April 24 at 2pm there will be an Artists Talk by Sean Murtha and Alison Nicholls. Come and join us to see the exhibition for yourself!

Wildlife art exhibition setup at the Flinn Gallery, Greenwich, CT.

The exhibition setup…

Wildlife art exhibition setup at the Flinn Gallery, Greenwich, CT.

I set up the field box for sculptor, Karryl.

Wildlife art exhibition setup at the Flinn Gallery, Greenwich, CT.

The exhibition begins to take shape…

Wildlife art exhibition setup at the Flinn Gallery, Greenwich, CT.

Curators hang Sean Murtha’s work…

Wildlife art exhibition setup at the Flinn Gallery, Greenwich, CT.

Artists Kelly Singleton & Alison Nicholls…

Wildlife art exhibition setup at the Flinn Gallery, Greenwich, CT.

Pinnacle by Karryl…

Wildlife art exhibition setup at the Flinn Gallery, Greenwich, CT.

Nearing completion…

Wildlife art exhibition setup at the Flinn Gallery, Greenwich, CT.

The impressive exhibition title wall…

Wildlife art exhibition setup at the Flinn Gallery, Greenwich, CT.

Ready for the opening reception…

Next time I will show you images from the Opening Reception!

Wildlife Art: Field to Studio is curated by Lillian Lum, Claudia Schipper & Alice Sherwood. It is on display until May 4 at the Flinn Gallery in Greenwich, Connecticut. On April 24 at 2pm I will be giving an Artists Talk, along with Sean Murtha. I will also be at the Gallery to meet visitors on the following days and times:
Tuesday April 19, 11am – 2pm.
Thursday April 21, 5pm – 7pm.
Saturday April 23, 12pm – 2pm.
Monday April 25, 2pm – 4pm.
Wednesday April 27, 11am – 1pm.
Thursday April 28, 5pm – 7pm.

Please come and join me for a guided tour of the exhibition!
Alison

www.ArtInspiredbyAfrica.com
A donation is made to African conservation from every sale.

Zebras In Mopane, acrylic by Alison Nicholls

Wildlife Art in the Flinn Gallery

Soon my paintings, including Zebra in Mopane, will be hanging in the Flinn Gallery in Greenwich, Connecticut. We have some great events scheduled around this exciting exhibition, so come and see the wildlife of Africa, Mongolia, Alaska, India, the Rocky Mountains, Central America and the Long Island Sound from the unique perspectives of a diverse group of artists.

Zebras In Mopane, acrylic by Alison Nicholls

Zebras In Mopane, acrylic by Alison Nicholls


Here are the details you need to know!

Thur March 31, Flinn Gallery
Opening Reception: 6-8pm.
Sat April 2, Flinn Gallery
Children Sketching Animals: 11am-12pm. Sold Out.
Artists Talk: Susan Fox (Mongolia), David Rankin (India) & Karryl (Rockies), 2-3pm.

Mon April 4,
Explorers Club
Artists Talk: Alison Nicholls, Susan Fox, David Rankin, Sean Murtha & Karryl, 6pm.
The Explorers Club, 46 East 70th Street, New York City. Registration Required.

Sun April 24
, Flinn Gallery
Artists Talk: Alison Nicholls & Sean Murtha, 2-3pm.

The exhibition runs from March 24 – May 4, 2016. The Flinn Gallery is located at 101 West Putnam Ave, Greenwich, CT 06830. Wildlife Art: Field to Studio is curated by Lillian Lum, Alice Sherwood & Claudia Schipper.

Come and join me at one of our exciting exhibit events!
Alison
www.ArtInspiredByAfrica.com