Category Archives: Field Sketches

Trotting, painted dogs, acrylic by Alison Nicholls

Three is a Crowd-Pleaser

Following on from my previous posts, Boraro – Painted Dogs and Three Painted Dogs is Not a Crowd, here is Three is a Crowd-Pleaser. I didn’t originally intend to write a series of 3 posts, but after a little research I found that we humans like thinking in patterns and 3 is the lowest number we consider a pattern (if something happens once we think it’s chance, if it happens twice it’s coincidence, but if it happens 3 times we think of it as a pattern). So maybe my series of 3 posts is not an accident afterall. As IQ Doodle School’s post explains, the Rule of Three is part of “how we think, make sense of, and cluster information”. Groups of 3 are common in our language (ready, steady, go), music (choruses often occur 3 times), plays (3-act structure), art (rule of thirds) and film-making (trilogies). 

Rule of Thirds

Rule of Thirds grid is useful in art & photography to create interesting compositions.

In art you’ll often come across the Rule of Thirds grid. The idea is to divide your canvas into 9 equal sections and use the lines and intersections to help create a more interesting composition. For example, in landscape paintings you will often see the horizon line one-third or two-thirds of the way up the canvas, rather than half-way. Or, if your painting doesn’t have a horizon line (mine often don’t) then you can use the red dot intersections as guides for where to place items of interest. If you look at my paintings, you’ll see that the animals who are the focus of attention are usually left or right of center and often high up or low down on the canvas (close to the red dot intersections on the grid). After a while this becomes second nature so you don’t even think of the grid when you compose a painting.  

Trotting, painted dogs, acrylic by Alison Nicholls

Trotting, painted dogs, acrylic by Alison Nicholls

In case you’re not convinced, here are 3 more interesting sets of 3’s: 
I often use only three colors in a painting. There are 3 paragraphs in this blog post. And African wild dogs have tri-colored coats!

Stay well
Alison
www.ArtInspiredbyAfrica.com

Kambaku Art Safari

2021 Art Safari

We’re now taking bookings for my 2021 Art Safari.  There are 6 spaces available and we’ll be staying at the wonderful Kambaku Safari Lodge in Timbavati, South Africa. (Both my 2020 safaris are full but have been postponed until 2021.) The dates are August 26-30. To whet your appetite, here are a few photos from the 2019 Kambaku Art Safaris.  See full details here.

The 2021 Art Safari price is inclusive of all accommodation, art tuition, twice-daily drives, meals, laughter and wonderful wildlife!
See full details here.

Remember to get in touch soon if you’d like to reserve your place.
See you soon and stay well.
Alison

www.ArtInspiredbyAfrica.com

Tea Stall sketch by Alison Nicholls

International Women’s Day

On this International Women’s Day, I would like to highlight Mama Helena Mbarnoti, an inspiring Maasai woman from the village of Loibor Siret in northern Tanzania (mama is a respectful term for a married woman in Tanzania).

Tea Stall sketch by Alison Nicholls

Mama Helena at her tea stall, painted in watercolor by Alison Nicholls

African People & Wildlife’s headquarters, the Noloholo Environmental Education Center, is built on land donated by the surrounding community, where Mama Helena lives. I met her each time I visited APW and over the years have seen her strong support of APW’s work with her community. She is now a member of a women’s bee-keeping group, supported by APW, and the delicious honey produced by wild bees is sold, bringing the women their own income.

On one visit to APW, Mama Helena invited me to sketch her in her tea stall at the weekly market (above) and on my latest visit I sketched her at a meeting of the women’s bee-keeping group (below). I send copies of my sketches to everyone who features in them and when I returned to Loibor Siret in June 2019 she showed me the copy of the tea stall sketch, which she keeps at home.

Womens Meeting sketch by Alison Nicholls

Women’s meeting (Mama Helena on left) in northern Tanzania, by Alison Nicholls

All around the world women are doing incredible things (Dr Laly Lichtenfeld, co-founder of APW is another obvious example) so lets celebrate that each and every day, not just on International Women’s Day.

Mama Helena Photo: African People & Wildlife/Laura Milton

Mama Helena Photo: African People & Wildlife/Laura Milton

More next time!
Alison
www.ArtInspiredbyAfrica.com

Read more about APW and Mama Helena

Buffalo in Delta field sketch Alison Nicholls 2012

Watercolors featured on Artsy Shark

My watercolors featured on Artsy Shark last week. If you’re an artist you may know this website, as the founder, Carolyn Edlund’s mission is to inspire every artist to build a better art business. I saw a call for featured artists and submitted my work. In addition to a spot on the website as the featured artist, I also received a nice pdf of the feature too.
Have a read and enjoy my recent watercolors from Africa!

Featured Artist Alison Nicholls

All my watercolors are for sale, priced between $250 and $350 depending on the size. Please take a look and let me know if you would like to own one. I donate 25% from the sale of each one to African conservation organizations.
More next time!
Alison

www.ArtInspiredbyAfrica.com

Paws Trails Explorer article about Alison Nicholls

Paws Trails Explorers

I and my art inspired by Africa have been featured in the beautiful Paws Trails Explorers digital magazine. The article is in the Wild Arts Showcase and focuses on my watercolor and ink work created from life in the African bush. I talk about why sketching from life is so important to me; how I gathered the courage to start; which materials work well and which were disastrous; how my work changed when I connected with conservation organizations; and how my art now benefits those same groups.

Paws Trails Explorer article about Alison Nicholls

To read the Paws Trails Explorers article, click the image above and go to page 92 or you can find it online here at http://www.pawstrails.com/  (Dec 2019 / Jan 2020 Issue #20). The photography in the magazine is quite stunning and I’m delighted to have my art featured in the Wild Arts Showcase section. You might want to consider joining the Paws Trails Explorers mailing list so you receive future issues.

Enjoy!
Alison

www.ArtInspiredbyAfrica.com

 

Elephant and Impala by Alison Nicholls

Elephant and Impala

I’m quite proud of Elephant and Impala (though I say so myself!). Its a typical waterhole scene where the big bull elephant makes everyone else wait until he’s finished before they can drink. I sketched this in pen, concentrating on the elephant bull and adding feint markings for the landscape features and impala rams.

Elephant and Impala by Alison Nicholls

Elephant and Impala, 8×10″, $200 by Alison Nicholls

The watercolor I added later that day, from memory and imagination. I used just 3 colors – my favorite combo at the moment – Naples Yellow, Cerulean Blue and Quinacridone Magenta. I kept the warmest colors on the elephant bull, to draw him closer, and allowed the distant vegetation to fade into the background.

25% ($50) from the purchase price will be donated to African People & Wildlife in Tanzania. So, let me know if you’d like it, before I decide to frame it and hang it on my own wall.
Alison

www.ArtInspiredbyAfrica.com
Learn more about African People & Wildlife in Tanzania.

Sunlit Elephant by Alison Nicholls

Pros and Cons of Joining My Mailing List

In these social media saturated days, what are the pros and cons of joining my Mailing List?
Here are the Pros:

1.Preview my new Paintings
Yes, before I even post them on social media or put them on my website, you get to see all my new paintings in my newsletter. Which means you can snap up your favorite piece before the big wide world even knows it exists!

2.Win a Watercolor
If you Join My Mailing List before December 1st 2019, your name will be entered into the draw to win Sunlit Elephant – an original 10×8″ watercolor, created from life in Africa and valued at $200. Using some ingenious method, a subscriber’s name (hopefully yours) will be selected at random. The winner will be emailed and she/he replies within a week, Sunlit Elephant will be shipped free to the winner, anywhere in the world (if the winner doesn’t reply within 1 week, another winner will be selected at random). All current subscribers are automatically entered into the draw.

Sunlit Elephant by Alison Nicholls

Win this Watercolor: Sunlit Elephant, 10×8″ watercolor and pen by Alison Nicholls.

3.Art-filled monthly newsletters
In my colorful newsletters you’ll see paintings, photos, news about conservation organizations, information about my upcoming exhibits and lectures. Usually you’ll get just 1 lovely, colorful, email each month but around the holidays you might get a couple more. For example, on Black Friday you’ll receive my Colorful Friday email. And at New Year you’ll get my animal-themed, hopeful, New Year message. I certainly won’t bombard you with emails and you can unsubscribe at any time. 

4.Contests and Surveys
You can take part in my occasional contests and surveys, helping me make my newsletters even better in the future.

5.Insightful Content
Your newsletters will contain my insightful witticisms, bad puns and photos of my dog!

Here are the Cons:

1.Insightful Content
Your newsletters will contain my insightful witticisms, bad puns and photos of my dog!

So, having (hopefully) decided that the Pros outweigh the Cons, here’s where you can Join My Mailing List!

Good Luck in the draw for Sunlit Elephant!
Alison

www.ArtInspiredbyAfrica.com

Kambaku Art Safari

2019 Art Safari Video II

In August I led two Art Safaris in South Africa for Africa Geographic. Here is my short video of the second Art Safari.

Both safaris were held at Kambaku Safari Lodge, in Timbavati Private Nature Reserve, part of the Great Kruger National Park. Kambaku was a great place to hold an Art Safari as we had amazing wildlife sightings, beautiful accommodations, great food and wonderful spaces for daytime workshops.

2020 Art Safaris
We’ll be returning to Kambaku for 1 of my 2020 Art Safaris and we have only 2 places remaining, so if you’d like to join us please let me know. We also have only 2 places available on the 2nd 2020 Art Safari, which will take place at Pungwe Safari Camp in Manyaleti Reserve, also part of the Greater Kruger National Park in South Africa.

2020 Art Safari Details

We welcome only 6 guests on each safari and they may have any (or no) experience of sketching. We also welcome non-sketching friends and partners.
So if your idea of fun is spending time in the bush with wildlife, art and like-minded travel companions, sign up for 2020!
Alison

Kambaku Art Safari with Alison Nicholls

Art Safari Video

In August I led two Art Safaris in South Africa for Africa Geographic. Here is my short video of the first Art Safari.
 

Both safaris were held at Kambaku Safari Lodge, in Timbavati Private Nature Reserve, part of the Great Kruger National Park. Kambaku was a great place to hold an Art Safari as we had amazing wildlife sightings, beautiful accommodations, great food and wonderful spaces for daytime workshops.

2020 Art Safaris
We’ll be returning to Kambaku for 1 of my 2020 Art Safaris and we have only 2 places remaining, so if you’d like to join us please let me know. We also have only 2 places available on the 2nd 2020 Art Safari, which will take place at Pungwe Safari Camp in Manyaleti Reserve, also part of the Greater Kruger National Park in South Africa.

2020 Art Safari Details

We welcome only 6 guests on each safari and they may have any (or no) experience of sketching. We also welcome non-sketching friends and partners.
Enjoy the video and watch out for another video next week!
Alison

Elephant and Impala by Alison Nicholls

New Botswana Watercolors!

Here are my new Botswana watercolors.
In the past I’ve usually sketched in pencil (then added watercolor), giving a myself a little room for error as I could erase any incorrect lines. However, these pieces were all sketched from life in pen. I’m a real believer in simplicity, making as few lines as possible on my paper, so trying to work like this in ink can lead to a lot of frustration and can be an easy way of getting through lots of paper when things don’t work out. At the beginning of my trip, in my 1st sketchbook, I was being too tentative (and was sketching a leopard, which I find one of the most difficult species) so I ended up tearing 2 pages out of my book and burning them. But as time went on, sketching with pen became a fun challenge, and I found myself wondering how how much I could say with a minimum of lines.

Elephant and Impala by Alison Nicholls

A large bull elephant makes impala wait for a drink as he stands at the waterhole, painted in watercolor by Alison Nicholls

In these two pieces, you can see how simple my pen sketches were. The elephant is sketched in a just a few lines, with no shading, and the impala are really only identifiable by their horns. I know that the addition of color will make all the difference so I don’t need to overdo the sketching. Similarly, on the piece below, I’m only concerned with sketching the simple shapes of the jackals and the stunted trunk of the bush one of them lies under. I know that watercolor will be better for the coloring on the jackals’ coats and for the leaves of the bush, so I don’t sketch those with the pen.

Black-backed Jackals by Alison Nicholls

I didn’t expect these jackals to hang around for long but it turned out they were waiting patiently for lions to leave a kill.

Knowing which materials will be best for which purpose is key. I can keep my pen sketch simple because I know where I will use watercolor to complete the sketch.
See you next time.
Alison

www.ArtInspiredByAfrica.com

Elephants at Water IV

Sketch For Survival 2019

Its Sketch for Survival time!

And you can bid on my donated painting, sketched in watercolor from life at The Bush House in South Africa.  Here’s I am, slightly speeded up, painting the watercolor.

In case you’re wondering, I don’t have eyes as sharp as an eagle – the camera angle just makes the elephants and zebras look much further away than they really were! 

Bids on this painting start at $75 and all the money raised goes to Sketch For Survival’s 2019 conservation beneficiaries – Ape Alliance, Giraffe Conservation Foundation, Painted Dog Conservation and the Mariamma Charitable Trust.

Elephants at Water IV

Elephants at a waterhole, painted from life in South Africa

What is Sketch for Survival? It’s an annual exhibition and sale of wildlife art in aid of conservation. The art, donated by leading wildlife artists, illustrators, cartoonists, celebrities, explorers and photographers, comprises sketches, studio art, illustrations and cartoons depicting endangered wildlife. The exhibit will be shown in the UK in Bristol, Harrogate & Norwich before appearing at the Royal Geographical Society in London on Thursday 14 November. Special guests will include Ian Redmond OBE from Ape Alliance, renowned for his work with both Great Apes and Elephants, Dr Julian Fennessy from Giraffe Conservation Foundation, and representatives from Painted Dog Conservation in Zimbabwe. The online auction will finish on Sunday 17th November, 2019.

So go on, place a bid on my painting now and see all the other artwork too. And if you’re in the UK, visit one of the venues and see the artwork in person.
Take care,
Alison

Read more about Sketch for Survival and Explorers Against Extinction.

 

Soccer Game in Botswana

The Soccer Game

Soccer (or football) is huge in Africa. Almost every person has a favorite team, often from Europe. So when we heard there was a soccer tournament going on at Limpopo-Lipadi while we were there, we wanted to go along and support the team. I decided to sketch the game too. It was extremely hot and my paint was drying very fast, which made it quite challenging, but it was fun. Unfortunately, the Limpopo-Lipadi team (in green) lost to the police team (in red). Or maybe that was just as well!

I photographed the sketch and gave it to Limpopo-Lipadi to hang in the office. As a result, the photo of the finished piece isn’t great, but you get the idea. There’s something about live sketching like this that inspires me so much. Of course I can always see vast improvements I could make in the sketch, but when I look at it I remember the heat, the dust, the shouting and laughter. Magic!

Learn more about Limpopo-Lipadi game reserve and their wonderful Motse volunteering and community program.

Alison Nicholls
Art Inspired by Africa
www.ArtInspiredbyAfrica.com

Sketch of rural women in Tanzania, by Alison Nicholls

Women in Tanzania

Rural women in Tanzania usually have a fairly low status in society and are often completely dependent on their husband, even though women do much of the work in rural households.

Loibor Siret Womens Meeting

Loibor Siret Women’s Meeting

African People & Wildlife (APW) works in conjunction with many rural communities in Tanzania, and together their initiatives are helping women become financially independent, giving them a voice in the decision-making of their families and their communities. Bee-keeping is one such initiative and has the added advantage of protecting habitat because Tanzania has a strong Bee-Keeping Act which ensures that land cannot be farmed or cleared around beehives.

Sketch of rural women in Tanzania, by Alison Nicholls

Women’s Meeting, ink and watercolor sketch from life by Alison Nicholls

Learning about the bee-keeping initiative, which involves more than 1200 women, and being able to sketch after a meeting of the Loibor Siret women’s bee-keeping group, is a thrill. There can be few things better for a sketch artist than sitting in a rural village, surrounded by the sights & sounds of everyday life, while sketching a group of women chatting under a shady tree. This was my 4th visit to APW and it is wonderful to be recognized and greeted enthusiastically by women I have sketched on my previous visits.

Mama Helena sketch by Alison Nicholls

Mama Helena Beading, ink sketch from life by Alison Nicholls

Mama Helena, shown beading in the sketch above, invited me to sketch at her homestead afterwards, and sent one of her grandchildren to fetch a sketch I did of her last time I was in Tanzania, 5 years ago!

Alison Nicholls Sketching

Alison Nicholls sketching in Tanzania

Sketching with an audience is something I am completely used to and it’s fun to see the children’s faces as the sketch progresses and they recognize the person I am sketching.

Alison Nicholls Sketching

Not all my sketches go to plan!

I’m making copies of my sketches to be sent back to Tanzania, but I hope my next visit to APW will be in the very near future.
Alison

Learn more about African People & Wildlife.
www.ArtInspiredbyAfrica.com

Elephants in Brown, field sketch by Alison Nicholls

Field Sketches & Daily Sketches – What is the Difference?

So what exactly is the difference between my Field Sketches & Daily Sketches?

Elephants in Brown, field sketch by Alison Nicholls

Elephants in Brown, field sketch by Alison Nicholls

My Field Sketches are created from life, in Africa. I usually start by sketching in pencil or ink then add watercolor, but sometimes I sketch directly in watercolor. They are either 8×10″ or 11×14″ on watercolor paper and sell for US$200-$300, with 25% of the purchase price donated to various African conservation organizations.

Daily sketch by Alison Nicholls

Turqouise Elephant, daily sketch by Alison Nicholls

My Daily Sketches are created in the studio, in 10-minutes, from photos by my talented husband, Nigel. They are pen sketches, sometimes with watercolor added and sometimes drawn on a colorful acrylic background. They are 8×10″ on yupo paper – a bright white, synthetic surface – and sell for US$60, with 50% of the purchase price donated to various African conservation organizations.

Working from photos is obviously easier than working from life, so I set a time limit on my Daily Sketches, to keep the work fresh and give myself a challenge. 10 minutes goes by very fast, but its a great way to start each day and excellent practice for when I’m sketching in the field.

In June I’ll be in Tanzania for 2 weeks, so my daily sketches will be field sketches!
Alison
www.ArtInspiredbyAfrica.com

 

Alison Nicholls art materials for Tanzania

Packing for Tanzania

I’ll be off to Tanzania again in a couple of weeks, visiting African People & Wildlife to help with some murals in rural schools and do some art classes for teachers and students. Somehow, I hope to do some of my own sketching too, so here’s my latest video showing what I’m taking with me. You can read about my previous visits to APW here.
More soon!
Alison

Rock art in Savute Botswana

Learn from the Masters

If your goal is sketching wildlife and you want to learn from the masters, you could do far worse than look at rock art by the San (Khoi-San or bushmen). With a few simple lines they catch the essence of an animal, so you immediately know it. And through their lifestyle as hunter-gatherers they are unparalleled in their knowledge of the animals they depicted in their rock art.

Rock art in Savute Botswana

Rock art in Savute, Botswana

Over the years I’ve seen rock art in many locations in southern Africa including Matopos (Zimbabwe), the Tsodilo Hills (Botswana) and Twyfelfontein (Namibia). Most of the paintings are not in caves but are on the underside of overhanging rocks, while many of the petroglyphs (images chipped into the rock surface) are on fully exposed rocks.

How I start an elephant sketch by Alison Nicholls

How I start an elephant sketch by Alison Nicholls

Last year I was in Savute, Botswana, and revisited a rock art panel on one of the small hills in the area. I sketched the 3 main animals – an eland, elephant, and sable antelope. A few months later I was creating a video for my Art Safari guests, showing how I start my sketches of elephants. I remembered the elephant painting in Savute and realized the 2 main shapes I start my sketches with (a large block for the body and a smaller block for the head) are the same as the main shapes for the elephant in the Savute painting.
Maybe the rock art I’ve seen has influenced me more than I knew!
Alison
www.ArtInspiredbyAfrica.com

Twyfelfontein Namibia

Petroglyphs, Twyfelfontein, Namibia

Let Sleeping Dogs Lie by Alison Nicholls

Let Sleeping Dogs Lie

We were looking forward to a quick cuppa, a nice mid-morning tea-break, but when we reached the big baobab in Savute, Botswana, we found that our spot was already taken. Let sleeping dogs lie…

Let Sleeping Dogs Lie by Alison Nicholls

Let Sleeping Dogs Lie – sketched from life in pen and watercolor, Savute Botswana 2018

The dogs made excellent sketching subjects, once I figured out whose legs and ears were whose. Painted dogs or African wild dogs (Lycaon pictus) are very social and like to lie together in a pile, in very close contact, so identifying which dogs to include in my sketch is the first thing I do.

Savute Wild Dogs by Nigel Nicholls

Painted dogs sleeping in a pile, photo by Nigel Nicholls.

Note the annoying piece of grass in the foreground – the bane of every wildlife photographer’s life. If I had a sketchbook for every time I’ve heard my husband ask why there’s grass in the way, I’d never run out of paper again!

Painted Dog Pile by Nigel Nicholls

Painted Dog Pile by Nigel Nicholls

Here’s the scene I sketched. Its so weird when I get back from our trips, see my husband’s photos and recognize my sketches. You’ll notice that the piece of grass is even more annoying from this angle…which brings me to another advantage of sketching – the artist decides what goes into the sketch and what stays out, so there are no annoying pieces of grass in my art.

Now I have to go find my own sleeping dog and take him out for a walk!
Alison
www.ArtInspiredbyAfrica.com

Ellies in Ink by Alison Nicholls

Sketching Strong Shadows

Mid-afternoon in Khwai, the hottest part of the day, and I’m sketching strong shadows. We’re sitting by the beautiful ribbon of water that winds gracefully through the grasses and off into the distance. A Nile crocodile lies on the bank with its mouth open, and elephants drink in the river. The light is harsh and the strong shadows made me decide to sketch with the marker tip of my pen, putting only the shadows down on the paper. It doesn’t work with every animal, but for the crocodile and the elephants it was perfect.

Crocodile in ink by Alison Nicholls

Ellies in Ink by Alison Nicholls

Next I tried some hippos, a goliath heron and an African buffalo.

Hippo, Heron and Buffalo by Alison Nicholls

I was really enjoying this, so of course the sun went down and daylight was vanquished by the shadows. But next time I think the light is too harsh for good sketching I’ll have a great way of handling it!
Alison
www.ArtInspiredbyAfrica.com

Rural village scenes sketched in pen in Botswana by Alison Nicholls

Sketching Villages from a Moving Car!

Recently I discovered that sketching villages from a moving car might be more difficult than sketching wildlife!

Rural village scenes sketched in pen in Botswana by Alison Nicholls

These rural scenes were sketched as we drove down from Kasane to the Tuli Block in Botswana. Although we are driving quite slowly through villages, it’s still a challenge to sketch and you need to develop a photographic memory by looking, memorizing, then sketching. However, I soon found my stride because these rural scenes are etched in my brain, from my years of living in Botswana. I wanted to capture the typical sights of a village – people sitting by the road; herds of cows in the shade of a tree; donkeys and goats; village bars and small houses with satellite dishes. Pen was the perfect medium and I particularly love this pinky-gray ZIG Memory System writer. And sketching made the long drive go by much faster!
Alison
www.ArtInspiredbyAfrica.com

Elephants-at-Water-ANicholls

Even in front of Nature, one must Compose

“Even in front of nature, one must compose” is attributed to Edgar Degas.

Giraffe Bulls Browsing by Alison Nicholls

There are some who will argue that nature is perfect and it’s arrogant to compose, to rearrange things, in your art. But we all do this, all the time. You are composing when you move left or right to get that perfect photo of a landscape. And artists are certainly doing this all the time in their paintings. Even those who paint wildlife in minute detail using photographic reference are likely to be moving things around and combining several photos to compose their painting.

My style of art doesn’t rely heavily on photos or often include a landscape element, so composition choices in the studio are wide open for me. This can be both daunting and liberating, which is why I spend an inordinate amount of time deciding on the composition for my paintings. How many animals? What are they doing? Are they close to the viewer or far away? These are some of the numerous questions I ask myself when composing a painting in the studio.

Elephants-at-Water-ANicholls

I used to think I wasn’t composing when I was field sketching in Africa, but I realized I was wrong. For example, if I see a herd of 20 elephants, I’m not going to just start sketching the closest one, then move on to the next until I’ve sketched every animal in turn. If I tried that I’d be hopelessly confused because the animals would change places and keep moving – my sketch would never be completed and would most likely be a mess. Instead, I usually I pick an animal in the herd who I will base my sketch around. Once I finish that animal, I look for another, in a different pose, which will complement it. Then I pick a 3rd and a 4th. I may not have an idea of how the finished piece will look, but I’m definitely composing as I sketch.

So I’m not about to argue with Degas on this point – “even in front of nature, one must compose”!

Alison
www.ArtInspiredbyAfrica.com

Lion Painting Demo

My lion painting demo shows how I used fluid acrylic and colored inks on canvas to create the painting, Preoccupied Pair. I started this painting in December and added the finishing touches a few days ago. Miraculously, I remembered to video nearly all the painting sessions so I could create this lion painting demo from start to finish!

Preoccupied Pair is based on my watercolor field sketch from Botswana (below). The watercolor shows a mating pair of lions walking through grasses. You’ll notice the 2 pieces are quite different, because I rarely recreate a field sketch as a studio painting. In the studio painting I felt the lions needed to be larger and closer to each other, and I wanted to eliminate most of the background vegetation and the termite mound.

Mating Lions watercolor by Alison Nicholls
Mating Lions, field watercolor 11×14″

They are 2 very different pieces of art, but each reflects my intentions and the different ways I work in the field and in the studio. Both pieces are for sale with a 25% donation to African conservation organizations.

Do you have a preference for 1 piece or the other?
Alison

See my watercolor field sketches.
See my studio acrylics.

Zebra by Alison Nicholls

Looking Back…to move Forward

Looking back can show you how much has changed. So here are a few things that have changed about my art over the years. And a few really old paintings too!

I used to paint or draw animals from photos, in a far more realistic style.

Zebra by Alison Nicholls

Zebra pastel from mid 90’s, by Alison Nicholls.

When I painted from life (en plein air), I painted landscapes with an occasional animal but now I paint animals with an occasional landscape feature.

Okavango Delta by Alison Nicholls

Okavango Delta by Alison Nicholls

Mabuasehube by Alison Nicholls

Mabuasehube by Alison Nicholls

For a long time I used to draw only in pencil, now I can’t imagine my art without color.

Gecko by Alison Nicholls

Gecko by Alison Nicholls

Yes, my art has certainly changed.
But if your art is not changing then you’re probably not improving.
(And if you prefer these older artworks, please don’t tell me!)

Keep on changing..
Alison
www.ArtInspiredbyAfrica.com

Birds & Beasts: See The Paintings

March 22 was the Opening Reception for Birds & Beasts: Near & Far – my current exhibition with artist Sean Murtha, at the Rye Arts Center, Rye NY. We had a good turnout and are holding more events associated with the exhibition, including Sketching Workshops from Live Animals on March 24 and an Artists Talk on April 17 at 11am. If you live in the area, please come and see the exhibit. If not, you can see all my artworks in the exhibition here.

Alison Nicholls Alison NichollsReception1 Reception1

Enjoy the exhibition!
Alison
www.ArtInspiredbyAfrica.com

travel africa

Travel Africa Features my African Art!

A few months ago I was interviewed by Travel Africa, answering some interesting questions about my trips to Africa and the way I sketch and paint. Today the online article has been released and you can read it here. If you can. please leave a comment as this may prompt them to feature me again in their print magazine too. Thank you and enjoy the article!
Alison

Meet the artist: Alison Nicholls

Birds & Beasts at the Rye Arts Center 2018

Birds & Beasts: Near & Far

Birds & Beasts: Near & Far – that is the title for my next exhibition, shared with artist Sean Murtha, at the Rye Arts Center, Rye NY, from March 22 – April 21.

Birds & Beasts at the Rye Arts Center 2018

Giving an exhibition a title can be remarkably difficult. You want to get it right – to indicate what the exhibit is about – but leave a little mystery that will make people want to attend. Its especially difficult to come up with a title when you are are sharing an exhibit with another artist. So (despite my husband’s objections to the word ‘Beasts’) I am pretty pleased with this title and feel it nicely represents my art of large African mammals (some of which are of course, beastly!) and Sean’s art consisting mostly of birds who dwell near or on Long Island Sound.

Drinking Impala by Alison Nicholls

Drinking Impala by Alison Nicholls

Of course, I wonder how much the title means to anyone else. After all, artists often squirm over titling each individual piece of artwork, only to find that viewers don’t really care what the title is. I hate to admit it, but I don’t have a clue about the titles of most of the art in my own home (those pieces not painted by me), so I wonder if all the angst is really worthwhile. Anyway…even if the title is irrelevant, I do hope you will come and join us for one of the many events associated with this exhibit – the Reception, the Artists Talk or the 2 Sketching Sessions with live animals provided by Animal Embassy, including (I am most excited about this) the wonderfully named Quilliam, the African crested porcupine!

Quilliam the African crested porcupine with Chris Evers of Animal Embassy

Quilliam the African crested porcupine with Chris Evers of Animal Embassy

Read more about the art of Sean Murtha
Read more about the Rye Arts Center
Read more about Animal Embassy

I hope to see you at the exhibition for a wild time!
Alison
www.ArtInspiredbyAfrica.com