Mid-afternoon in Khwai, the hottest part of the day, and I’m sketching strong shadows. We’re sitting by the beautiful ribbon of water that winds gracefully through the grasses and off into the distance. A Nile crocodile lies on the bank with its mouth open, and elephants drink in the river. The light is harsh and the strong shadows made me decide to sketch with the marker tip of my pen, putting only the shadows down on the paper. It doesn’t work with every animal, but for the crocodile and the elephants it was perfect.
Next I tried some hippos, a goliath heron and an African buffalo.
I was really enjoying this, so of course the sun went down and daylight was vanquished by the shadows. But next time I think the light is too harsh for good sketching I’ll have a great way of handling it!
It was only a matter of time before I started doing 10-minute wildlife sketches.
10-minute sketch by Alison Nicholls
It all started with the Portrait Party, where I really enjoyed doing 10-minute portraits of people. Every week day in February I did a 10-minute portrait at the start of the day. Then March arrived and I decided to switch to wildlife, starting with ink then adding watercolor, working on yupo paper. I’m using my husband’s amazing photographs, amassed over the years in Africa, so you can be sure I’ll never run out of options. Its really weird for me to be drawing directly from a photograph, but the fact that I have only 10 minutes keeps my mind focused!
Recently I discovered that sketching villages from a moving car might be more difficult than sketching wildlife!
These rural scenes were sketched as we drove down from Kasane to the Tuli Block in Botswana. Although we are driving quite slowly through villages, it’s still a challenge to sketch and you need to develop a photographic memory by looking, memorizing, then sketching. However, I soon found my stride because these rural scenes are etched in my brain, from my years of living in Botswana. I wanted to capture the typical sights of a village – people sitting by the road; herds of cows in the shade of a tree; donkeys and goats; village bars and small houses with satellite dishes. Pen was the perfect medium and I particularly love this pinky-gray ZIG Memory System writer. And sketching made the long drive go by much faster! Alison www.ArtInspiredbyAfrica.com