Tag Archives: African wildlife

Zebras In Mopane, acrylic by Alison Nicholls

Wildlife Art in the Flinn Gallery

Soon my paintings, including Zebra in Mopane, will be hanging in the Flinn Gallery in Greenwich, Connecticut. We have some great events scheduled around this exciting exhibition, so come and see the wildlife of Africa, Mongolia, Alaska, India, the Rocky Mountains, Central America and the Long Island Sound from the unique perspectives of a diverse group of artists.

Zebras In Mopane, acrylic by Alison Nicholls

Zebras In Mopane, acrylic by Alison Nicholls


Here are the details you need to know!

Thur March 31, Flinn Gallery
Opening Reception: 6-8pm.
Sat April 2, Flinn Gallery
Children Sketching Animals: 11am-12pm. Sold Out.
Artists Talk: Susan Fox (Mongolia), David Rankin (India) & Karryl (Rockies), 2-3pm.

Mon April 4,
Explorers Club
Artists Talk: Alison Nicholls, Susan Fox, David Rankin, Sean Murtha & Karryl, 6pm.
The Explorers Club, 46 East 70th Street, New York City. Registration Required.

Sun April 24
, Flinn Gallery
Artists Talk: Alison Nicholls & Sean Murtha, 2-3pm.

The exhibition runs from March 24 – May 4, 2016. The Flinn Gallery is located at 101 West Putnam Ave, Greenwich, CT 06830. Wildlife Art: Field to Studio is curated by Lillian Lum, Alice Sherwood & Claudia Schipper.

Come and join me at one of our exciting exhibit events!
Alison
www.ArtInspiredByAfrica.com

Pitse ya Naga Field Sketch by Alison Nicholls ©2015

African Wildlife Sketch 6 – Zebra in Mopane

I often visit southern Africa in the dry season and over the last few years I have seen zebra herds in mopane scrub, but never managed to sketch them. Mopane can be beautiful trees, but in many areas, due to the large numbers of elephants, they are stunted and twisted, pruned to a convenient 6 or 7 foot height by the pachyderms! In the dry season, a few vibrant green leaves appear but they sit amidst the browns, oranges and reds of the old leaves. It is a beautiful combination, especially when a herd of boldly striped zebra wander through. Finally, this year, I managed to get the sketch down on paper and it may very well become a studio painting too!  

Pitse ya Naga Field Sketch by Alison Nicholls ©2015

Zebra in Mopane by Alison Nicholls

All my field sketches, are created in Africa directly from life, or sketched back at camp purely from my memory of sightings. They are completely finished in Africa and I use no photos or video reference at any time in their creation. It is always tempting to add finishing touches back in the studio, but I avoid this to ensure that my field sketches really are field sketches. 

This Original Field Sketch is watercolor and pencil on watercolor paper, 11×14″, and priced at US$300. Limited Edition Giclées are also available, priced at US$120 each. Only 10 copies are available, printed using archival inks on watercolor paper, 11×14″, all signed and numbered by me.

A donation will be made to African conservation from every sale.

Until Nov 22, I will be sharing 1 of my new African field sketches every day. The new sketches are shown to my newsletter readers a full day before they are shown here. Click here to Join my Mailing List and see the sketches as soon as they are released, or see them here 1 day later.

Wherever and whenever you see them, I hope you enjoy them as much as I enjoyed creating them.
Tomorrow’s sketch is of sleeping painted dogs!
Until then…
Alison
www.ArtInspiredbyAfrica.com

Hippo Pod Field Sketch by Alison Nicholls ©2015

African Wildlife Sketch #4 – Hippo Pod

I have hardly any sketches of hippos, because you normally just see their ears, eyes and nostrils protruding above the water. This pod were partially submerged, but the way they were lying gave me just enough to sketch. It is a very simple piece, but I think its simplicity makes it effective.  

Hippo Pod Field Sketch by Alison Nicholls ©2015

Hippo Pod Field Sketch by Alison Nicholls ©2015

All my field sketches, are created in Africa directly from life, or sketched back at camp purely from my memory of sightings. They are completely finished in Africa and I use no photos or video reference at any time in their creation. It is always tempting to add finishing touches back in the studio, but I avoid this to ensure that my field sketches really are field sketches. 

This Original Field Sketch is watercolor and pencil on watercolor paper, 11×14″, and priced at US$300. Limited Edition Giclées are also available, priced at US$120 each. Only 10 copies are available, printed using archival inks on watercolor paper, 11×14″, all signed and numbered by me.

A donation will be made to African conservation from every sale.

Until Nov 22, I will be sharing 1 of my new African field sketches every day. The new sketches are shown to my newsletter readers a full day before they are shown here. Click here to Join my Mailing List and see the sketches as soon as they are released, or see them here 1 day later.

Wherever and whenever you see them, I hope you enjoy them as much as I enjoyed creating them.
Tomorrow’s sketch is of a browsing giraffe.
Until then…
Alison
www.ArtInspiredbyAfrica.com

Shimmer & Shukas by Alison Nicholls

Art Challenge Day 5 – People and Conservation

Shimmer and Shukas Field Sketch, watercolor 11x14" by Alison Nicholls

Shimmer and Shukas Field Sketch, watercolor 11×14″ by Alison Nicholls

The Herd, acrylic on canvas 24x20" by Alison Nicholls

The Herd, acrylic on canvas 24×20″ by Alison Nicholls

Living Walls, acrylic on canvas 29x29" by Alison Nicholls

Living Walls, acrylic on canvas 29×29″ by Alison Nicholls

Although I had painted landscapes and wildlife, I never thought I was interested in painting or sketching people. But as I got to know Botswana better, I did try my hand at a couple of pieces. However, I was never comfortable sketching people without their permission and was too shy to ask. As with so many things in life, it was only after I left Africa that I realized what a chance I had been missing all those years. But luckily for me, it was also at this time that I became familiar with the African People & Wildlife Fund in Tanzania and arranged with Dr Laly Lichtenfeld to spend time at the project sketching. While I was there I learned about APW’s work with the local communities and saw firsthand some of the complex conservation issues facing both people and wildlife. I knew I wanted to include these issues in my work and began composing some conservation-themed paintings which show issues like human-wildlife conflict.

My visits to APW grew out of my visit to the Painted Dog Conservation project back in 2007, but with APW I moved into the realm of painting people. Frankly, when I first visited, I had absolutely no idea how much I was going to enjoy this! The conservation of wildlife and habitat depends on the decisions that will be made by people who share the land with wildlife. If their lives are made easier by the elimination of wildlife then it will be difficult for wildlife to survive and roam freely. The work of conservation organizations can help to provide workable solutions, but it is the people who will make the ultimate decisions – which is why I am pleased to finally incorporate both the people and wildlife of Africa in my art.

These days I make a donation to African conservation from the sale of every original painting, original field sketch and limited edition giclée and I aim to use my work to explain complex conservation issues and highlight solutions which are being used in the field.

Thank you for following my week of Art Challenge posts, I hope it gave you an insight into my artistic journey. Life as an artist has its ups and downs but I never want to do anything else. Its been a wild adventure so far. Long may it continue!
Alison

Learn more about the African People & Wildlife Fund.
Learn more about Painted Dog Conservation.

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Art Inspired by Africa

Towards Evening, watercolor on paper by Alison Nicholls

Art Challenge Day 4 – A New Medium!

Towards Evening, watercolor on paper 8x10" by Alison Nicholls

Towards Evening, watercolor on paper by Alison Nicholls

A-Shady-Spot-by-Alison-Nicholls

A Shady Spot, watercolor on paper 12×12″ by Alison Nicholls

Sun Spots, acrylic on canvas 29x29" by Alison Nicholls

Sun Spots, fluid acrylic on canvas 29×29″ by Alison Nicholls

I don’t work from an easel, I paint with my work flat on a desk. What this means is that I can’t get too far away from my work without moving it off the desk and standing it up. As a result, I found that I was often working close-up, which made my use of color weaker, and increased my use of detail. When my works were framed I felt I had to walk up close to really see them, when actually I wanted to be able to stand across the room and see them. I needed to be bolder. So over time I strengthened my colors and gradually background landscapes disappeared, as I removed everything that I felt was unnecessary in my compositions. Then I switched from watercolor on paper to fluid acrylic on watercolor canvas. Which is how I am painting now. I love the vivid colors, the lightweight canvas, the fact that I don’t have to stretch paper anymore before using it and the fact that I can frame without mats and glass. It took a long time but I think I found my medium!

Tomorrow I’ll show how my subject matter has progressed since I switched to fluid acrylic.

See you tomorrow…
Alison

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Art Inspired by Africa