Tag Archives: artist

Art chart by Alison Nicholls

Art Tips: ChARTing My Progress

Charting my progress is fun as well as helpful, when I’m floundering a little.

I’ve just taken down an exhibition of my work, and I’m left feeling a little uninspired, a little unmotivated. There are too many ideas whizzing around in my head and I’m not getting started on any of them. So I decided it was time for a review of where I am with my art and where I’d like to go next. I found my stack of papers containing new painting ideas, admin tasks that need doing, social media plans, exhibition ideas etc.  I wrote them all out on a large piece of paper then saw that they fitted into 4 categories. The categories are linked by arrows. So, for example, when I travel, I create new art, which I market online. 

Art chart by Alison Nicholls

Here’s the really interesting part – the most important categories are Art and Travel (they have the most outgoing arrows) because they are my ‘creative’ categories and what happens there affects everything else. If I didn’t create Art or Travel, I wouldn’t have anything to market. And yet, guess which category consistently takes up more of my time than it should? Yep – Online Marketing!

This does not come as a surprise to me, but every now and again I need a visual reminder like this to refocus my energies on what is most important.

Which is why I am now getting up from the computer to go and check my latest experimental painting!
See you next time.
Alison

www.ArtInspiredbyAfrica.com

Another dead-end. Elephant Calf by Nigel Nicholls

Oh No – Another Art Dead-End!

In many careers you start by studying, learning from others. Those who came before you have created a foundation of knowledge, gathered over the years, so there are many dead-ends you don’t need to visit or experiments you don’t need to repeat – because the answers have been found and are there for you to see and understand. In some careers you are legally obligated to learn and follow this accepted wisdom. A doctor must learn medicine and follow accepted practice, a lawyer must learn the law of the land and (hopefully) operate within it. So how does art differ from this?

Another dead-end. Elephant Calf by Nigel Nicholls

Well, from my years of experience I’d say that being an artist appears to demand that you turn down any number of dead-end roads on your route to improvement. Its true that many people study, that they follow the example of the great masters of the past and learn the history of art, but no amount of theory or knowledge of materials can make you a great artist. Its all about practice, trial and error, and time. Practice leads to competence. Trial and error leads to innovation. Time allows you to develop your own style.

Art is about forging your own path (and trying not to trip over your trunk).
Enjoy the journey!

Alison
www.ArtInspiredbyAfrica.com

Cheetah Trio by Alison Nicholls

Is it a Field Sketch?

“Sketch – a simply or hastily executed drawing or painting, especially a preliminary one, giving the essential features without the details” (from Dictionary.com)

On each visit to Africa I fill several sketchbooks with pencil and watercolor art. I have always referred to these artworks as ‘field sketches’ but as my work evolved I began to wonder if ‘sketch’ is still the appropriate term.

Lets go back a bit. For 10 years I have marketed my art through my website and social media sites because I want people to see, enjoy, learn from, and buy my work. Sketching in the field from life, without any photo or video reference, is vital to my artistic process; great fun; expands my knowledge of animal anatomy and behavior; and makes me a better artist. From a marketing perspective it also separates me from artists who work only in the studio from photos, and I try to make this crystal clear to everyone who sees my work. In a face to face conversation I can explain all this quite easily, but when you see my work briefly on the internet, I need to get this point across as quickly as I can, so terminology becomes very important, hence my use of the easily understood term ‘field sketches’.

Cheetah Trio Field Sketch by Alison Nicholls

Cheetah Trio “Field Sketch” by Alison Nicholls

Over the years, as my skills improved, I began to experiment with my field sketches. First, I started thinking more about composition while I sketched. The underlying pencil sketch for Cheetah Trio was created while I watched wild cheetahs in Botswana. But the cheetahs were lying further apart than they are shown in my sketch. I moved them closer together to create a better composition. I used both my ability to sketch from life, and my compositional skills to create the field sketch you see. Maybe you think I should sketch exactly what I see, but I would suggest that every piece of art has been composed to some extent by the artist. Even a field sketch artist has chosen which pose to sketch – if they sketched exactly what they saw, you would come across more sketches of animals relieving themselves! Secondly, as you see in Cheetah Trio, I began adding watercolor to my pencil sketches. As animals don’t remain still for lengthy periods of time, I usually have to do this back at camp – adding color from memory and imagination in varying proportions.

So according to the definition of a ‘sketch’, my works in pencil definitely qualify – they are executed hastily and contain only essential details. I add watercolor in a more leisurely manner, so does the painted piece still qualify as a field ‘sketch’? Or as field work? Or as a watercolor painting?

I’m sure I’m being overly pedantic, but terminology matters, particularly on the internet, and yet I’m guessing every artist has their own very specific ideas of what these terms mean. (As an aside, one of my pet peeves is seeing artworks described as ‘sketches’ when they are small, detailed pencil drawings, which obviously have taken many hours to complete from photographic reference.)

So…does any of this matter?
When you search for ‘field sketches’ online, what do you expect to find?
I can’t wait to hear what you think!

Alison
www.ArtInspiredbyAfrica.com

Alison Nicholls - Art Inspired By Africa

An Artist’s Fear

Many artists find blank canvas or white paper intimidating, because they want the very first mark they make to be perfect. I understand this, but for me, its the final stages that are more intimidating – the last few brush-strokes which can make or break a painting. When I think I’ve nearly finished,  I put the painting away and don’t look at it for a few days. Then I bring it back into the studio to make a decision. I look at it in a mirror, because seeing it in reverse often highlights problems. I stand it on an easel with a temporary mat covering the edges because this gives me an idea of how it will look when framed. I sit back, feet up on my table trying to make a decision.

Alison Nicholls - Art Inspired By Africa

I aim to err on the side of slightly unfinished rather than overworked, so  many paintings pass this final stage without any additions. I just add my signature, and spend the rest of the day feeling very virtuous. But on the occasions when I think more detail or another wash might be required, I feel a sense of trepidation. I mix my paint, take a deep breath, then I change my mind and revert back to the feet-on-the-table, not-quite-sure-yet stage. If I decide, once again, that more painting is required, I grab my brushes and try to get started before the fear of ruining the painting grabs hold of me instead. Almost immediately I know if my additions are going to be OK – and if my day is going to end well or very badly!
Which do you fear most – the big bad empty canvas, or the frightening final touches?

Alison
www.ArtInspiredbyAfrica.com

“Painting is the most magical of mediums,” said Chuck Close. “The transcendence is truly amazing to me every time I go to a museum and I see how somebody figured another way to rub colored dirt on a flat surface and make space where there is no space or make you think of a life experience.”

Watercolor washes by Alison Nicholls

Watercolor washes by Alison Nicholls

It really is a strange thing, to want to paint your own version of reality and, by doing so, spark emotion in those who view it. Why not just show people the real thing? Why do we find it interesting to look at an artist’s version of reality instead?

A painting shows us what the artist wanted us to see, but it also shows us something about the artist who created it. There are layers of meaning in each work. Maybe you see them, and maybe you don’t. Maybe you don’t care to see them. Maybe they are blatantly obvious, maybe deeply hidden. But they are there. And sometimes they awaken emotion in us.

I often wonder if paintings can create emotion precisely because they are motionless, Does this lack of movement give us time to think more deeply? Like watching a movie in slow motion – where each frame and expression seems to have more meaning, because we see them pass by so slowly?

Who knows?
But I have to agree with Chuck, painting is the most magical of mediums…

Alison
www.ArtInspiredbyAfrica.com

Zimbabwe

A Fool & Water Go The Way They Are Diverted.

A fool and water will go the way they are diverted.

I came across this great African proverb in an Africa Geographic blog, posted by Tuli Safari Lodge in Botswana. We all know that water takes the path of least resistance, the easiest path, the quickest path – downhill. And you can divert water, because downhill is always the easiest path.

Zimbabwe

Zimbabwe

As an artist you can also take the path of least resistance and be easily diverted from your path. When that happens, your art generally follows the same route – downhill!

Have you chosen paths which you knew were difficult? Paths that meant you had to climb uphill rather than coast downhill? These paths often take you out of your comfort zone. Its something I have tried to make a habit of doing, and every time you do something that scares you or makes you nervous, you find it wasn’t so bad, that the fear was worse than the actual event, that your comfort zone has expanded. What seemed terrifying becomes possible, sometimes even enjoyable. There was a time when I was terrified of speaking in public. Now its hard to shut me up!

Have you overcome a fear in your art career?
How did you do it?
And congratulations!

Read more great African proverbs here:
http://africageographic.com/blog/10-great-african-proverbs/

Until next time…
Alison

See my New Book of sketches and paintings from Tanzania!
www.ArtInspiredbyAfrica.com

Patterns in the Ice

Patterns in the Ice

My German Shepherd dog needs quite a bit of exercise, so I am often found walking the neighborhood, even in the coldest weather. These walks are also when I plan my next piece of art (or my next blog post). So there I am, wandering through the snowy New York winter, thinking of an African scene, when I spotted a gorgeous ice pattern beneath my feet. The lines in the ice reminded me of the washes of color I add to my canvas, one on top of another. They also reminded me that spring is still some way off!

Patterns in the Ice

Patterns in the Ice

(If you are wondering, I’m still working on my leopard piece and will show it to you soon when it is complete. Hopefully before spring!).
Until next time…
Alison

www.ArtInspiredbyAfrica.com
I make a donation to African conservation from every sale.

Free Shipping within the US to celebrate my new website. Plus half-price international shipping!

Celebrating Art Inspired by Africa Website!

Free Shipping within the US to celebrate my new website. Plus half-price international shipping!

Free Shipping within the US to celebrate my new website. Plus half-price international shipping!

If you haven’t already visited my new website, here’s a good reason to do so – to celebrate the launch, I am offering Free Shipping within the US and half-price shipping to international destinations, for the entire month of February!

Are you still here?
Oh yes, sorry, here’s the link!

www.ArtInspiredbyAfrica.com

Until next time…
Alison

Join my Mailing List
Find me on Facebook
Art Inspired by Africa

New website www.artinspiredbyafrica.com by Alison Nicholls

New Year – New Website!

New website www.artinspiredbyafrica.com by Alison Nicholls

My new website – www.ArtInspiredbyAfrica.com – can be viewed on your computer, tablet or smartphone.

I hope you are having a wonderful start to 2015. I thought this would be the ideal time to unveil my brand new website, which you can view from your computer, tablet or smartphone!

I wanted to create a website with clean, simple lines, to best display my colorful African acrylics and watercolor field sketches. Kim Bruce of Artbiz helped me achieve this, and it has been a pleasure working with her. I hope you agree that the result was worth the effort. Take a look and you’ll see my Paintings, Sketches and Limited Editions, plus Art Safaris (there are just 2 places remaining on this year’s safari) and completely new pages for The Artist and my Conservation Sketching Expeditions. There is a new shopping cart with shipping options and you’ll find my Blog on the website too. I’m thrilled with the new design and hope you will be too – so take a look and let me know!

www.ArtInspiredbyAfrica.com

Uploading all my images and text took a fair amount of time and by the time I finished I was seeing my website in my sleep, which makes it difficult to spot errors. So, in case you need more encouragement to visit my new site, I’m offering a free gift to whoever finds the best (or worst) error in my new website, or whoever makes the best suggestion for improvement. A couple of exceptions should be noted – giving my work away for free will not be considered a valid suggestion, and US spellings do not count as errors!!!

Finally I’d like to thank Dale Simmons of Ezpics, who worked with me on my previous website for over 10 years. He was great to work with, and I’ll be keeping in touch for more chats about conservation and life in Montana. Thanks Dale!

www.ArtInspiredbyAfrica.com

Until next time…
Alison

Join my Mailing List
Find me on Facebook
Art Inspired by Africa

Shimmer & Shukas by Alison Nicholls

Art Challenge Day 5 – People and Conservation

Shimmer and Shukas Field Sketch, watercolor 11x14" by Alison Nicholls

Shimmer and Shukas Field Sketch, watercolor 11×14″ by Alison Nicholls

The Herd, acrylic on canvas 24x20" by Alison Nicholls

The Herd, acrylic on canvas 24×20″ by Alison Nicholls

Living Walls, acrylic on canvas 29x29" by Alison Nicholls

Living Walls, acrylic on canvas 29×29″ by Alison Nicholls

Although I had painted landscapes and wildlife, I never thought I was interested in painting or sketching people. But as I got to know Botswana better, I did try my hand at a couple of pieces. However, I was never comfortable sketching people without their permission and was too shy to ask. As with so many things in life, it was only after I left Africa that I realized what a chance I had been missing all those years. But luckily for me, it was also at this time that I became familiar with the African People & Wildlife Fund in Tanzania and arranged with Dr Laly Lichtenfeld to spend time at the project sketching. While I was there I learned about APW’s work with the local communities and saw firsthand some of the complex conservation issues facing both people and wildlife. I knew I wanted to include these issues in my work and began composing some conservation-themed paintings which show issues like human-wildlife conflict.

My visits to APW grew out of my visit to the Painted Dog Conservation project back in 2007, but with APW I moved into the realm of painting people. Frankly, when I first visited, I had absolutely no idea how much I was going to enjoy this! The conservation of wildlife and habitat depends on the decisions that will be made by people who share the land with wildlife. If their lives are made easier by the elimination of wildlife then it will be difficult for wildlife to survive and roam freely. The work of conservation organizations can help to provide workable solutions, but it is the people who will make the ultimate decisions – which is why I am pleased to finally incorporate both the people and wildlife of Africa in my art.

These days I make a donation to African conservation from the sale of every original painting, original field sketch and limited edition giclée and I aim to use my work to explain complex conservation issues and highlight solutions which are being used in the field.

Thank you for following my week of Art Challenge posts, I hope it gave you an insight into my artistic journey. Life as an artist has its ups and downs but I never want to do anything else. Its been a wild adventure so far. Long may it continue!
Alison

Learn more about the African People & Wildlife Fund.
Learn more about Painted Dog Conservation.

Visit my my Website
Join my Mailing List
Find me on Facebook
Art Inspired by Africa

Towards Evening, watercolor on paper by Alison Nicholls

Art Challenge Day 4 – A New Medium!

Towards Evening, watercolor on paper 8x10" by Alison Nicholls

Towards Evening, watercolor on paper by Alison Nicholls

A-Shady-Spot-by-Alison-Nicholls

A Shady Spot, watercolor on paper 12×12″ by Alison Nicholls

Sun Spots, acrylic on canvas 29x29" by Alison Nicholls

Sun Spots, fluid acrylic on canvas 29×29″ by Alison Nicholls

I don’t work from an easel, I paint with my work flat on a desk. What this means is that I can’t get too far away from my work without moving it off the desk and standing it up. As a result, I found that I was often working close-up, which made my use of color weaker, and increased my use of detail. When my works were framed I felt I had to walk up close to really see them, when actually I wanted to be able to stand across the room and see them. I needed to be bolder. So over time I strengthened my colors and gradually background landscapes disappeared, as I removed everything that I felt was unnecessary in my compositions. Then I switched from watercolor on paper to fluid acrylic on watercolor canvas. Which is how I am painting now. I love the vivid colors, the lightweight canvas, the fact that I don’t have to stretch paper anymore before using it and the fact that I can frame without mats and glass. It took a long time but I think I found my medium!

Tomorrow I’ll show how my subject matter has progressed since I switched to fluid acrylic.

See you tomorrow…
Alison

Visit my Website
Join my Mailing List
Find me on Facebook
Art Inspired by Africa

Cheetah Trio by Alison Nicholls

Art Challenge Day 3 – Field Sketching

Mabuasehube ANicholls

Mabuasehube, watercolor field sketch by Alison Nicholls

Gemsbok ANicholls

Gemsbok (oryx) watercolor field sketches by Alison Nicholls

Cheetah Trio Field Sketch © Alison Nicholls

Cheetah Trio Field Sketch, watercolor by Alison Nicholls

Once I started taking my watercolors out into the bush to sketch I reached a turning point. Gradually my sketches progressed from landscapes with tiny animals in them, to pages with multiple animals on them, to full page sketches which I now sell as finished pieces and as limited editions. During these years I was awarded an Artists For Conservation Flag Expedition. I spent 6 weeks with the Painted Dog Conservation project in Zimbabwe sketching all kinds of wildlife including highly endangered African wild dogs. This period of time when sketching was my top priority for 6 weeks made all the difference. I now knew that sketching from life made me far more aware of the movement and anatomy of animals than working from photos had ever done, and as a result I was able to speed up my sketching and could turn to my sketches back in the studio for inspiration. But, even more critically, I  could create compositions in the studio without any reference material, because I now had images of real, moving animals buried deep in my artistic memory. Now I felt I was getting somewhere!

Tomorrow I’ll show how my studio work progressed to become full of color & space. In the meantime, the next artist I’d like to nominate is Hazel Jarvis. We have been on many a sketching jaunt into New York City and Hazel’s work is always fabulous regardless of which medium she uses.

Until tomorrow…
Alison

Visit my Website
Join my Mailing List
Find me on Facebook
Art Inspired by Africa

Zebra, pastel 20x16" by Alison Nicholls

Art Challenge Day 2 – Wildlife in Detail

Zebra, pastel 20x16" by Alison Nicholls

Zebra, pastel 20×16″ by Alison Nicholls

At Rest ANicholls

At Rest, cheetah in pastel 20×16″ by Alison Nicholls

Pride-On-The-Move by Alison Nicholls

Pride On The Move, lions in pastel 20×30″ by Alison Nicholls

Day 2 of the Art Challenge.
After a while, surrounded by wildlife during my bush trips, I decided I really needed to start using animals in my paintings. I switched to pastel for a while and loved using the colored papers. But using this like a drawing medium meant that once again detail was the focus of my work (still surrounded by space, but lots of detail nevertheless) And if you want this level of detail, you really have to work from photos, something I desperately wanted to get away from, but couldn’t figure out how.

Next time, I realize that field sketching is the way out of my dilemma.

And the next artist I’d like to nominate for the Art Challenge is Karen Laurence-Rowe, whose paintings are so wonderfully expressive (I was particularly struck by her giraffes). So enjoy her work and I’ll be back tomorrow, with field sketches.

Until then…
Alison

Visit my Website
Join my Mailing List
Find me on Facebook
Art Inspired by Africa

Okavango Palms

Art Challenge Day 1 – Watercolor Landscapes

Okavango Palms

Okavango Palms, watercolor 20×16″ by Alison Nicholls

Ant eating chats

Anteating Chats in the Kalahari, watercolor 24×30″ by Alison Nicholls

Khutse Sparrow Weavers

Khutse Sparrow Weavers, watercolor 24×30″ by Alison Nicholls

I have been nominated to take part in a Facebook Art Challenge by my friend and fellow artist Karryl, who creates wonderful whimsical animal sculptures. Thank you, Karryl! The challenge is to post 3 images of my art every day for 5 days, each day nominating a new artist to take part in the challenge. Although this is a Facebook challenge, I decided to post the same pieces to my blog. And, like many other artists who are taking part in the challenge, I’ve decided to use these posts to show you my artistic journey, showing artwork from different years to illustrate how my style developed over time.

I really began to paint when I moved to Africa. Since childhood I’d really only been interested in drawing landscapes. Drawing is still very important for me and watercolor allowed me to combine drawing with color. Having not studied art, I had no exposure to other media, so I stuck with the only media I knew. These pieces were probably completed between 2000-2003 At the time I really wasn’t keeping good records, or taking particularly good photos of my work. And, as you can see, my watercolors were quite detailed and realistic. These were no doubt completed from photos, but already I can see the use of a limited palette of colors in each piece, a careful composition and an element of space, features which still exist in my work today.

Tomorrow, I’ll be posting the next set of images – Wildlife in Detail.

And the next artist I’d like to nominate for the challenge is Asher Jay. She visited my studio in the summer and we had a great day talking about art and conservation. You may already have seen her work. If not, watch her posts, she has some great images to share!

Until tomorrow…
Alison

Visit my Website
Join my Mailing List
Find me on Facebook
Art Inspired by Africa

Kisimir, Nicholls, Living Wall, Tanzania

Human-Lion Conflict in Tanzania

Kisimir, Nicholls, Living Wall, Tanzania

Elvis Kisimir of APW & artist Alison Nicholls at a Living Wall in Tanzania

The start of 2015 has not been as peaceful as many across the world hoped. There have already been many atrocities and human tragedies in the first 2 weeks of this new year and my thoughts go out to all who have lost family members, friends and colleagues.

The start of the year was also tragic for a pride of lions near Tarangire National Park in northern Tanzania. On New Year’s Eve the pride killed donkeys which were kept in a traditional thorn boma in a Maasai homestead, so the moran (warriors) hunted the lions and killed one. Early on New Year’s day a woman and her child found a lion in their boma (also a traditional thorn boma). Thankfully the woman and her child were unharmed, but the moran of the area started gathering in large numbers and hunted down another 6 lions. One of APW’s Human-Wildlife Conflict officers tried to diffuse the situation. (Elvis Kisimir, pictured above, is another of APW’s HWC offers. Like the others, he is Maasai, from a village in the area, and has successfully prevented warriors from embarking on lion hunts in the past.) However, this situation involved huge numbers of warriors and attempts to resolve the issue peacefully were unsuccessful.

I’m adding this post as an update to “How Do You Know If Conservation Is Working?”, a post I wrote at the end of last year and which you can see below. Unfortunately, this incident is a prime example of why the work of organizations like APW is so vital and why the installation of more Living Wall bomas (fortified bomas that protect livestock, prevent habitat destruction and dramatically reduce incidents of human-wildlife conflict) are essential. The area where the donkeys were killed has very few Living Wall bomas although APW hopes to install many more there in the future. But each wall takes time and money to install. APW founder & Executive Director Dr Laly Lichtenfeld told me that many people in other communities with significant numbers of Living Walls have expressed sympathy to APW staff over the lion killings. They appreciate the numerous benefits that working with APW has brought to their communities – not only Living Walls, but high school scholarships for children, natural resource management seminars for adults, grants for small businesses and the creation of the only Women’s Association on the Maasai Steppe, to name just a few. APW aims to expand these programs to many more communities and I hope you will consider supporting their work.

2015 has certainly not started as we all hoped, but lets make sure we turn it around very soon.
Until next time…
Alison

Donate to help APW expand their work on the Maasai Steppe

How Do You Know If Conservation Is Working? (originally posted on Dec 12 2014)

Quite simply, as in any other field, you have to evaluate your results. It is easy for conservation efforts to be undertaken with the best of intentions, only to find that there are unexpected negative consequences which put the whole project in question. Unfortunately, too many organizations want quick fixes and they don’t stick around to ensure that their efforts have the desired results.

That is certainly not the case with the African People & Wildlife Fund (APW) in Tanzania, an organization I am proud to support. Dr Laly Lichtenfeld, Charles Trout and Elvis Kisimir of APW recently had a paper published in Biodiversity & Conservation, titled Evidence-based Conservation: Predator-proof Bomas Protect Livestock and Lions. The team evaluated their depredation data relating to large carnivore attacks on livestock in their study area, and found a significant decline in depredation events after the construction of fortified bomas (also known as Living Walls).

The fortified bomas prevent attacks on livestock by large carnivores and this prevents retaliatory attacks on carnivores by livestock owners. They reduce habitat destruction because they do not require repeated cutting of thorn bushes like traditional bomas, and they reduce the burden on women, because they require no maintenance. But significantly, they also found that the reduction in depredation events due to construction of fortified bomas, did not increase the number of carnivore attacks on non-fortified bomas or on livestock at pasture. Had this been the case, they could have been reducing depredation at the boma, only to increase it elsewhere. Instead, the evaluation of their long-term data showed that fortified bomas are an effective conservation tool and should be considered by other organizations aiming to reduce human-carnivore conflict.

And that is how you know conservation is working!

Donate to help APW continue their work on the Maasai Steppe!

Until next time…
Alison

Art Inspired by Africa and Conservation
Visit my Website
Join my Mailing List
Find me on Facebook
Art Inspired by Africa

Porthmeor Beach, St Ives, Cornwall, UK. Created using One Note. Alison Nicholls

A Digital Sketch of Cornwall by Alison Nicholls

 

Porthmeor Beach, St Ives, Cornwall, UK. Created using One Note. Alison Nicholls

Porthmeor Beach, St Ives, Cornwall, UK. Created using One Note. Alison Nicholls

Yep, I finally tried sketching on my Microsoft Windows Surface! Admittedly I wasn’t using an application designed for sketching, instead I was using one designed for note-taking. As a result I had a limited palette of colors and a choice of pen or highlighter. But you know what – it really didn’t matter. This beautiful view was straight out of the window of the house we stayed in for Christmas and it would have been wrong to leave without sketching it. I’ve included a more detailed view below, where you can see the colors and pen sizes, plus some of the people on the beach.

St Ives Sketch © Alison Nicholls 2014

I might try this again, but not in Africa. The screen size is smaller than I like, I love working on paper and I try to avoid too much technology while I’m in the bush. But for around New York, you never know…

Happy New Year!
Alison

Visit my Website
Join my Mailing List
Find me on Facebook
Art Inspired by Africa

Art Inspired by Africa

Happy New Year from Alison Nicholls!

Art Inspired by Africa

I hope 2015 is happy and healthy for you and all your loved ones.
I hope 2015 is peaceful, with opportunity and education for all.
I hope that 2015 will be a great year for conservation around the globe,
including an end to rhino and elephant poaching.

I think that’s probably enough to start with!

Happy New Year!!

Alison

Don’t forget today is the last day to take advantage of my 2014 Seasonal Offers!

Visit my Website
Join my Mailing List
Find me on Facebook
Art Inspired by Africa

zebras in the snow

A Holiday Miracle!! by Alison Nicholls

zebras in the snow

A Holiday Miracle!

It turns out that I don’t have too many paintings that are appropriate for a Happy Holidays email, but I found this one and it seemed perfect!

There was snow in the Kalahari once, so you never know…

At this time of year I would like to say Thank You for your support during the year. It is wonderful to know that my paintings and sketches hang on walls around the world and I hope they help to make your homes a little warmer! I am also grateful that my art helps support conservation organizations who are working hard to make a positive difference in the lives of people and animals in Africa.

Thank you again, I appreciate all your emails, calls, tweets & posts!

Happy Happy Holidays!

Art inspired by Africa will be closing on December 17 for the holidays. You can still take advantage of my Seasonal Offers until December 31, but the last date for placing orders to arrive in the US before Christmas, will be December 17. Thank You
Alison

Art Inspired by Africa and Conservation
Visit my Website
Join my Mailing List
Find me on Facebook
Art Inspired by Africa

Kisimir, Nicholls, Living Wall, Tanzania

How Do You Know Conservation Is Working?

Kisimir, Nicholls, Living Wall, Tanzania

Elvis Kisimir of APW & artist Alison Nicholls at a Living Wall in Tanzania

Quite simply, as in any other field, you have to evaluate your results. It is easy for conservation efforts to be undertaken with the best of intentions, only to find that there are unexpected negative consequences which put the whole project in question. Unfortunately, too many organizations want quick fixes and they don’t stick around to ensure that their efforts have the desired results.

That is certainly not the case with the African People & Wildlife Fund (APW) in Tanzania, an organization I am proud to support. Dr Laly Lichtenfeld, Charles Trout and Elvis Kisimir of APW recently had a paper published in Biodiversity & Conservation, titled Evidence-based Conservation: Predator-proof Bomas Protect Livestock and Lions. The team evaluated their depredation data relating to large carnivore attacks on livestock in their study area, and found a significant decline in depredation events after the construction of fortified bomas (also known as Living Walls).

The fortified bomas prevent attacks on livestock by large carnivores and this prevents retaliatory attacks on carnivores by livestock owners. They reduce habitat destruction because they do not require repeated cutting of thorn bushes like traditional bomas, and they reduce the burden on women, because they require no maintenance. But significantly, they also found that the reduction in depredation events due to construction of fortified bomas, did not increase the number of carnivore attacks on non-fortified bomas or on livestock at pasture. Had this been the case, they could have been reducing depredation at the boma, only to increase it elsewhere. Instead, the evaluation of their long-term data showed that fortified bomas are an effective conservation tool and should be considered by other organizations aiming to reduce human-carnivore conflict.

And that is how you know conservation is working!

Donate to help APW continue their work on the Maasai Steppe!

Until next time…
Alison

Art Inspired by Africa and Conservation
Visit my Website
Join my Mailing List
Find me on Facebook
Art Inspired by Africa

Tea by the Fire Field Sketch 11x14" © Alison Nicholls 2014

Sketching in the Dark in Tanzania by Alison Nicholls

Tea by the Fire Field Sketch 11x14" © Alison Nicholls 2014

Tea by the Fire Field Sketch 11×14″ © Alison Nicholls 2014

Tea by the Fire was possibly one of the most difficult sketches I’ve created, because I was sketching in near darkness. I had been invited into the home of a Maasai family to sketch, but when I got inside I couldn’t even see the chair I was offered, and I had no idea how many people were in the house, never mind whether they were men, women or children. I was doing pretty well with my KiMaasai greetings by this stage in my trip, so I was hoping to be able to say the correct greetings to the various members of the family according to their gender and age, but it is very difficult to greet people when you don’t know who they are or even where they are!

My eyes took a couple of minutes to adjust and then I could see 2 women and 2 children by the fire. There was a small opening high up on the wall which let the smoke out and a little light in. There were pots on the fire and soon we each had a lovely cup of hot milky tea. Gradually I was able to start putting pencil to paper and by the time I finished sketching, I could see the family and the contents of the house quite well. I wanted the sketch to show the darkness of the house and the tiny slivers of light from the window.

As I sketched, I was thinking about this amazing opportunity and how removed I felt from my normal life. I like to avoid the use of technology as much as possible during my travels in Africa. Its a kind of escape for me. But every now and again I would be reminded that technology reaches most places these days – a cellphone screen would briefly flood the house with a cold blinding light as one of the family members received an incoming call or text!

Until next time…
Alison

Art Inspired by Africa and Conservation
Visit my Website
Join my Mailing List
Find me on Facebook
Art Inspired by Africa

Celebration Field Sketch by Alison Nicholls

Celebration Field Sketch by Alison Nicholls

This sketch does not feature your typical US Thanksgiving Day celebration!
In fact it is a sketch of Maasai men dancing at a wedding in Tanzania.

But all around the world, people everywhere celebrate important events. So I would like to wish you all a Happy Thanksgiving by sharing this sketch with you, from a celebration of a different kind that I was lucky enough to attend.

Happy Thanksgiving!

Alison

Art Inspired by Africa and Conservation
Visit my Website
Join my Mailing List
Find me on Facebook
Art Inspired by Africa

Yes, it is still that time of year!
So here are my Seasonal Offers #4 and #5.
(You can find #1, #2 & #3 in my previous post here)
My usual donations to African conservation organizations apply to all purchases. Browse or graze your way through my offers then find one that works for you!
Surprise Gift with Every Original by Alison NichollsBuy any Original Painting or Field Sketch and you will receive a special Surprise Gift from me (I’m not giving any clues)! My usual donations to conservation organizations apply. Offer expires 12/31/2014. Free Shipping Offer also applies (see below).

 

3 prints for 300 by Alison Nicholls

Buy any three 11×14″ Limited Edition Reproductions and pay only US$300. Although you are receiving a discount, my donations to African conservation will be made as if you have paid the full price. This offer will expire after 10 buyers have redeemed the offer or on 12/31/2014. Free Shipping Offer also applies (see below).

Free Shipping by Alison Nicholls

Free Shipping on all artwork mailed to a destination within the lower 48 states of the United States. Half-price shipping on all artwork mailed elsewhere, including Internationally. Combine this offer with any of the other offers shown below! Offer expires 12/31/2014. My Last Shipping Date will be Wednesday December 17 (with guaranteed delivery within the US by December 24).

Thank You for spending time browsing or grazing!
Alison

Art Inspired by Africa and Conservation
Visit my Website
Join my Mailing List
Find me on Facebook
Art Inspired by Africa

Artist Alison Nicholls

I begin my daily art marathon…

These tweets by David Sandum and Jo Parry inspired today’s post:

https://twitter.com/JO_PARRY_TWEETS/status/500793096033275904

They got me thinking that being an artist is like being a marathon runner. In the spirit of full disclosure I should mention that my experience as a marathon runner consists of watching the New York Marathon on TV every year and then checking on the training progress of my neighbors, several of whom are horrifyingly active and have run the real thing! So, with my mountain of personal experience now laid bare, here is how I think being an artist compares with being a marathon runner.

Before attempting to run a marathon it is best to put in a little training (!), hours and hours of training, a lot of it alone, pounding the streets, building your stamina and strength. As an artist you also need training, years of it, learning about your materials and building your skills, with much time spent alone, developing your style and work habits.

Then comes the marathon. The first few miles are plain sailing, with the crowd lifting your spirits and your legs feeling strong but then, later in the race, psychology is all important. At some point it is just about you, your legs and your mental strength. Sometimes it is only mental strength that actually keeps those legs moving, despite the persistent voice in your head telling you how tired you are and how you could hop in a cab. Once again, there are comparisons with the life of an artist. We also have that persistent voice in our head, telling us how mediocre our work is and how much better and more successful other artists are. But unlike the marathon, where people line the course to encourage you, as an artist you sometimes feel like the entire world has lined up to encourage you to quit. It’s ironic that most people consider artists to be sensitive types and yet we have to develop a very thick skin in order to deal with the rejection we experience on a fairly regular basis –  from competitions we fail to be accepted for, grants we fail to receive or galleries who don’t want to represent us. Most marathon runners don’t enter with the plan to win the race. they enter with the plan to finish the race, and if they are a sucker for punishment, they enter to improve on last years’ time. Artists need to think the same way. It is the constant progression of your own career that matters, not how you compare to other artists and their careers. Easier said than done, I know!

But there is one major difference between art and marathon running. In art there is no finish line. At the end of my daily art marathon, no-one has ever cheered, held up a placard with an encouraging message or wrapped me in a nice shiny blanket!

But wait…there is one more similarity. Marathon runners speak of a running ‘high’, a zone in which pain disappears and the joy of running is everything. Artists feel that too. It is what you aim for and hope for and can’t describe. It is addictive. If it wasn’t, why on earth would I run an art marathon every day?

Ready? Set. Paint!

Until next time…
Alison

Art Inspired by Africa and Conservation
Visit my Website
Join my Mailing List
Find me on Facebook
Nicholls Wildlife Art

Fall foliage by Alison Nicholls

Fall Foliage photo by Alison Nicholls

Alison Nicholls 'leaf-peeping' in Vermont

Alison Nicholls ‘leaf-peeping’ in Vermont

I was in Vermont last weekend with my parents who were visiting from England. Here are some images I took during the weekend. Despite the fact that these were taken in New England (there’s a joke in there somewhere), you’ll notice that these very colors appear in many of my African paintings.

Fall foliage by Alison Nicholls

Fall foliage by Alison Nicholls

On the way home I was creating, in my mind’s eye, my next African inspired artwork, with perhaps more than a little inspiration from these lovely Fall colors!

Fall foliage by Alison Nicholls

Fall foliage by Alison Nicholls

Until next time…
Alison

Art Inspired by Africa and Conservation
Visit my Website
Join my Mailing List
Find me on Facebook
Nicholls Wildlife Art