Tag Archives: Zimbabwe

A painted dog (African wild dog) and an Arctic wolf.

Painted Dogs AND Wolves – 1 Night Only!

Dr Greg Rasmussen of the Painted Dog Research Trust in Zimbabwe will be speaking at the Wolf Conservation Center in South Salem, NY, about the challenges faced by painted dogs (African wild dogs) and how research can help conserve the species. After the lecture you will be able to see more charismatic canids in the shape of the resident gray wolves at WCC.

A painted dog (African wild dog) and an Arctic wolf.

A painted dog (African wild dog) and an Arctic wolf.

I recently spent some time with Dr Rasmussen in Mana Pools and I can promise you this evening will be a fascinating one. You will also have a chance to win a framed copy of one of my recent painted dog field sketches, valued at $140, which I am donating for the evening.

Painted Dog Pack At Rest Field Sketch by Alison Nicholls

Painted Dog Pack At Rest Field Sketch by Alison Nicholls

So join me for this fun, informative and inspiring evening!
Alison

Saturday February 20, 2016 from 6-8pm.
Wolf Conservation Center, South Salem.
Registration is required as seating is limited. Price $20 per person.
50% of proceeds will be donated to PDRT and 50% to WCC.

www.ArtInspiredbyAfrica.com

Alison Nicholls and Greg Rasmussen, Mana Pools 2015

Caption Competition!

An informal moment from my recent visit to Mana Pools with Dr Gregory Rasmussen of the Painted Dog Research Trust.

Alison Nicholls and Greg Rasmussen, Mana Pools 2015

Alison Nicholls and Greg Rasmussen, Mana Pools 2015

I think this image deserves a caption competition.
So…any ideas what is happening here…or any great captions….
I’m all ears…

Until next time
Alison
www.ArtInspiredbyAfrica.com

Bull Drinking © Alison Nicholls 2015

African Wildlife Sketch #12 – Bull Elephant Drinking (Sold) by Alison Nicholls

From behind, an elephant can appear to be just a very large, fairly indistinct, object because most of the details – trunk, ears, tusks etc – are at the front end of the elephant. To indicate that this is a sketch of a bull elephant, I needed to include just a glimpse of the trunk, tusk and ears, but this was a difficult angle to sketch, because the elephant constantly lowered and raised his trunk to drink. As I began the sketch I was hoping he was planning to drink for at least a couple of minutes, so I could finish the sketch. Luckily for me, he obliged. I used the bold color scheme to emphasize the bulk of the bull elephant by first painting around him, then adding touches of color on the elephant to highlight the important details of his tail, spine, trunk and tusk. I think the combination was very successful!    

Bull Drinking © Alison Nicholls 2015

Bull Drinking field sketch (Sold) by Alison Nicholls

All my field sketches, are created in Africa directly from life, or sketched back at camp purely from my memory of sightings. They are completely finished in Africa and I use no photos or video reference at any time in their creation. It is always tempting to add finishing touches back in the studio, but I avoid this to ensure that my field sketches really are field sketches. 

This Original Field Sketch is Sold, but Limited Edition Giclées are also available, priced at US$120 each. Only 10 copies are available, printed using archival inks on watercolor paper, 14×11″, all signed and numbered by me.

A donation will be made to African conservation from every sale.

Until Nov 22, I will be sharing 1 of my new African field sketches every day. The new sketches are shown to my newsletter readers a full day before they are shown here. Click here to Join my Mailing List and see the sketches as soon as they are released, or see them here 1 day later.

Wherever and whenever you see them, I hope you enjoy them as much as I enjoyed creating them.
Tomorrow’s sketch is of a 2 cheetahs preparing for a hunt..
Until then…
Alison
www.ArtInspiredbyAfrica.com

African Field Sketches by Alison Nicholls ©2015

Want To See My New African Field Sketches?

All my new field sketches have now been scanned and I am ready to show them to you! 

I will be releasing them on my blog and on social media, one every day, for 3 weeks, starting on November 2nd.
Why November 2nd?
Because before I put them online here, I will be showing them to my newsletter readers – starting on November 1st. So they get to see them a day in advance.

If you also want to see them on the day they are released, use this link to Join My Mailing List. Or, you can wait to see them here. But some of them may be sold by the time they are posted here…

African Field Sketches by Alison Nicholls ©2015

African Field Sketches by Alison Nicholls ©2015

Shown above is a montage of a few of the new pieces you will soon see in detail. All my field sketches, are created in Africa directly from life, or sketched back at camp purely from my memory of sightings. They are completely finished in Africa and I use no photos or video reference at any time in their creation. It is always tempting to add finishing touches back in the studio, but I avoid this to ensure that my field sketches really are field sketches. 

Remember, if you want to see them on the day they are released, you can Join My Mailing List. Or, you can wait to see them here, a day later. Wherever and whenever you see them, I hope you enjoy them as much as I enjoyed creating them!

Until November 1st…(or 2nd)!
Take care
Alison

www.ArtInspiredbyAfrica.com

Alison Nicholls sketching in Mana Pools, Zimbabwe

Artist + Elephant = Magic!

As an artist who sketches African wildlife in the field, it can be difficult to get this kind of photo. If I’m on my own, I never manage to get these kinds of photos. So its wonderful to have a husband who takes these kinds of photos for me – often without my knowledge!

Alison Nicholls sketching in Mana Pools, Zimbabwe

Alison Nicholls sketching in Mana Pools, Zimbabwe. Photo by Nigel Nicholls.

I can never have too many photos of me sketching elephants. Thank you, Nigel!

Until next time…
Take care
Alison

www.ArtInspiredbyAfrica.com

Living Walls, acrylic 29x29" by Artist Alison Nicholls

Living Walls, acrylic 29×29″ by Artist Alison Nicholls

Living Walls
Acrylic 29×29” by Alison Nicholls

Human-wildlife conflict is increasing across the globe as the human population expands and people compete with wildlife for land, food and water. People usually prevail and wildlife is squeezed into ever smaller ‘islands’ of protected land, but there are places where these trends are being reversed, where people and wildlife share natural resources for their mutual benefit. On the Maasai Steppe in northern Tanzania, the African People & Wildlife Fund consulted with local communities and created Living Wall bomas, fortified corrals, in which families keep their livestock overnight.

Traditional bomas are built of piles of thorny acacia brush which must be replenished every few months, often leading to deforestation in the area. Even then, predators can get into a poorly constructed boma, or their presence can panic livestock who break out into the bush, where they are more vulnerable to attack. In the past, people might retaliate against predators by tracking and spearing the animal responsible for killing livestock, but today livestock carcasses can be laced with lethal agricultural poisons which kill any animal, bird or insect that feeds from the carcass. For this reason, predator numbers have been plummeting (along with those of vital scavengers like vultures). If livestock can be kept safe in bomas at night, when most attacks occur, then people will have no reason to retaliate against predators and their numbers can recover.

A Living Wall boma differs from a traditional boma in several ways. It is made of chain-link fencing held up by living fence-posts cut from native Commiphora trees. The trees are not killed by the cutting of thick branches for fence-posts, and the chain-link wire ensures that the livestock cannot break out of the boma. My Living Walls painting shows a cow, a goat, a sheep, a donkey, a spotted hyena, a leopard and a lion, linked by the crossed lines of the chain-link wire. Some of the lines are shaped into the distinctive branches of the Commiphora, with their trifoliate leaves (leaves with 3 leaflets). Vegetation of all types grows up and around a Living Wall, creating an impenetrable barrier so that the Living Wall cannot be breached and livestock and predators cannot see each other, which is why the eyes of each animal in the painting are covered with Commiphora leaves. The fact that the painting shows livestock and predators as being physically close and linked together by the Living Wall, mirrors the situation on the Maasai Steppe, where they share the same land and the future of both are interlinked.

400 Living Walls are now in operation on the Maasai Steppe, protecting 75,000 head of livestock nightly. The walls are in great demand and no livestock protected by a living wall have been killed since the program started in 2008. Living Walls are installed in areas where livestock depredation is high, so the installation of just a few Living Walls can lead to a drastic reduction in attacks on livestock. Local monitoring shows predator attacks have dropped precipitously, as have retaliatory killings of predators by livestock owners. Living Walls are changing attitudes to predators and they allow the Maasai to continue to live with lions, an animal of vital cultural importance.

The original acrylic painting of Living Walls is available for sale, priced at US$4800. If it is sold privately I will donate 40% of the sale price to APW. If it sells during an exhibition where the venue collects a commission (usually between 10-40%), APW will still receive a minimum of 10%. Limited edition giclées are also available with a 20% donation to APW from the sale of each piece.

To see this painting, join me at The Explorers Club on September 29th to hear about my conservation-themed art based on visits to the African People & Wildlife Fund in Tanzania and Painted Dog Conservation in Zimbabwe. If you can’t make it to the club you can Live Stream the Lecture Here at 7pm EST.

Until next time…
Alison

Art Inspired by Africa and Conservation
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Artist Alison Nicholls

Artist Alison Nicholls trying to say Conservation Conversation 10 times quickly!

A great deal of my conversations are about conservation (try saying that fast 10 times!) and they often lead to topics that seem depressingly impossible to resolve. Climate change, corruption, poaching, human-wildlife conflict…I could go on. As James K. Sheppard, a conservation scientist with the San Diego Zoo, told mongabay.com “conservation biology has arguably become the most depressing of the sciences”. He noted how potential conservationists of the future with optimistic personalities may be discouraged from joining the ranks of conservationists by the general doom and gloom that can pervade discussions in the field.

But the article by Jeremy Hance went further than this and aimed to highlight some of the great achievements in conservation biology today. And, if you look, there are many. So if you are feeling full of despair, read this article and take hope:

Mongabay.com: Why conservationists need a little hope

And if you’d like more evidence of conservation successes, join me at The Explorers Club on September 29th to hear about my conservation-themed art based on visits to the African People & Wildlife Fund in Tanzania and Painted Dog Conservation in Zimbabwe.

Until next time…
Alison

Art Inspired by Africa and Conservation
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Nicholls Wildlife Art

Elephant!, acrylic 20x30" by Alison Nicholls

Elephant!, acrylic 20×30″ by Alison Nicholls

My body of African conservation-themed art is steadily growing, and you can see and hear about it by joining me at The Explorers Club for my upcoming lecture. I’ll be showing a newly completed piece based on the Living Walls being used by the African People & Wildlife Fund in Tanzania, along with art featuring human-elephant conflict, East African pastoralists, and African wild dogs in Zimbabwe. I will talk about how I take a conservation or research issue and turn it into a completed painting, then how I use the paintings to raise awareness of the issues and money for conservation organizations.

So come and be part of the Conservation Conversation!

The Explorers Club
September 29. Reception 6pm. Lecture 7pm.
Tickets can be purchased in advance by calling 212 628 8383.

Until next time…
Alison

Art Inspired by Africa and Conservation
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Nicholls Wildlife Art

I’m roaring ahead with plans for extra conservation donations for World Lion Day!
And I’m trumpeting my plans for World Elephant Day on August 12!

So here is my plan..
from August 8 until the end of August 12, if you purchase any painting, field sketch or limited edition reproduction of a Lion (or Lioness) or Elephant, I will donate 40% of the sale price to African Conservation organizations.

The donation will go to either the African People & Wildlife Fund (APW) in Tanzania or the Painted Dog Research Trust in Zimbabwe, depending on the artwork and where my inspiration for the piece came from.

Just to give you some ideas, here are a few pieces you might like…

Young Male Lion, original field sketch 11x14"

Young Male Lion, Original and limited edition available

 

From the Rocks by Alison Nicholls

From the Rocks. Original and limited edition available.

Hide of an Elephant. by Alison Nicholls

Hide of an Elephant. Original and limited edition available.

Remember, 40% will be donated to African Conservation!

You can use these links to see Original Paintings, Field Sketches, and Limited Edition Reproductions.
Please feel free to contact me if you have any questions. Trunk calls accepted!

Until next time…
Alison

Art Inspired by Africa and Conservation
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Victoria Falls by Nigel Nicholls © 2013

Victoria Falls by Nigel Nicholls © 2013

The Smoke that Thunders.
Mosi-oa-Tunya.
Or, as you may know it, Victoria Falls.

These spectacular falls are where the mighty Zambezi River tumbles over sheer cliffs on the border between Zimbabwe and Zambia. I have visited many times over the years and it never fails to impress. Viewing from the Zimbabwe side, standing opposite the falls you can look straight across and see the beauty of the river upstream, sweeping around rocks, with palm trees in the distance and spray flickering in the air (which makes photography very difficult at times). But inevitably your gaze is also drawn downward, following the plunging water, into the abyss. There is beauty here too but it is a heart-stopping, staggering beauty of destruction and power. You realize that nothing could survive this plunge over the edge of the gorge and you find yourself checking your handhold or stepping backwards, particularly near Danger Point where there are no fences to keep you from the precipice.

Then you walk further and see the bungy-jumpers on the Victoria Falls Bridge throwing themselves off in spectacular leaps.
And, if you have any sense, you have a long cool drink!

Until next time…
Alison

Art Inspired by Africa and Conservation
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At last a storm has passed us by! As a result, my reception and talk this evening will go ahead as planned.

Hope to see you there!

Maasai acrylics on canvas by Alison NIcholls

Maasai acrylics on canvas by Alison NIcholls

Please join me on March 3rd at 7pm at the Bronxville Women’s Club to hear about my visits to the African People & Wildlife Fund (APW) in Tanzania. I have visited APW twice (with another visit planned this year), in order to sketch on site and learn about their work with the mostly Maasai community of Loibor Siret on the Maasai Steppe.

During the talk, I will show my field sketches, studio paintings and video as I discuss my work as an artist in Africa and explain how my visits to African conservation projects have inspired the creation of a body of conservation-themed art. This talk is in conjunction with my exhibition, Lions, Livestock & Living Walls, which will be on display for the month of March at the Bronxville Women’s Club. APW and BWC will both receive 20% of sale proceeds from the exhibition.

The Bronxville Women’s Club is located at 135 Midland Avenue, Bronxville, NY 10708. All are welcome.

I hope to see you there!
Alison

Art Inspired by Africa and Conservation
A donation is made towards conservation in Africa from every sale
Visit my Website
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Nicholls Wildlife Art

At last a storm has passed us by! As a result, my reception and talk this evening will go ahead as planned.

Hope to see you there!

The Herd, acrylic 24x20" by Alison Nicholls

The Herd, acrylic 24×20″ by Alison Nicholls

Please join me on March 3rd at 7pm at the Bronxville Women’s Club to hear about my visits to the African People & Wildlife Fund (APW) in Tanzania. I have visited APW twice (with another visit planned this year), in order to sketch on site and learn about their work with the mostly Maasai community of Loibor Siret on the Maasai Steppe.

During the talk, I will show my field sketches, studio paintings and video as I discuss my work as an artist in Africa and explain how my visits to African conservation projects have inspired the creation of a body of conservation-themed art. This talk is in conjunction with my exhibition, Lions, Livestock & Living Walls, which will be on display for the month of March at the Bronxville Women’s Club. APW and BWC will both receive 20% of sale proceeds from the exhibition.

The Bronxville Women’s Club is located at 135 Midland Avenue, Bronxville, NY 10708. All are welcome.

I hope to see you there!
Alison

Art Inspired by Africa and Conservation
A donation is made towards conservation in Africa from every sale
Visit my Website
Join my Mailing List
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Nicholls Wildlife Art

January 23, 2014, 7pm

Remember to join me on January 23 as I talk about my Conservation-Themed Art and Africa!

On The Edge acrylic 24x30" by Alison Nicholls

On The Edge acrylic 24×30″ by Alison Nicholls

As part of the Green Speaker Series, I will be interviewed by international documentary photographer Daryl Hawk and will then talk about my conservation-inspired Art. You will see field sketches, studio paintings and video as I discuss my work as an artist in Africa and will explain how I turn a complex conservation issue into a finished painting. I will also discuss the work of the Painted Dog Conservation project in Zimbabwe and the African People & Wildlife Fund in Tanzania. All are welcome.

Advance Registration Preferred

Alison Nicholls & Daryl Hawk

Alison Nicholls & Daryl Hawk

Wilton Library, 137 Old Ridgefield Road Wilton, CT 06897. This Green Speaker talk is co-sponsored by Wilton Go Green and Wilton Library.

I hope to see you there!
Alison

Art Inspired by Africa and Conservation
A donation is made towards conservation in Africa from every sale
Visit my Website
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Nicholls Wildlife Art

January 23, 2014, 7pm

Come and join me on a cold January evening to talk about Africa!

Alison Nicholls & Daryl Hawk

Alison Nicholls & Daryl Hawk

As part of the Green Speaker Series, I will be interviewed by international documentary photographer Daryl Hawk and will then talk about my conservation-inspired Art. You will see field sketches, studio paintings and video as I discuss my work as an artist in Africa and will explain how I turn a complex conservation issue into a finished painting. I will also discuss the work of the Painted Dog Conservation project in Zimbabwe and the African People & Wildlife Fund in Tanzania. All are welcome.

Advance Registration Preferred

Wilton Library, 137 Old Ridgefield Road Wilton, CT 06897. This Green Speaker talk is co-sponsored by Wilton Go Green and Wilton Library.

I hope to see you there!
Alison

Art Inspired by Africa and Conservation
A donation is made towards conservation in Africa from every sale
Visit my Website
Join my Mailing List
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Nicholls Wildlife Art

 

African Wild Dogs Find Good Home in India - by Artist Alison Nicholls

On The Edge, acrylic 24×30″ by Alison Nicholls

Recently I showed you On The Edge, my painting based on the doctoral thesis of Dr Esther van der Meer. Her thesis examines why Painted Dogs (African wild dogs) are choosing to move out of the relative safety of Hwange National Park in Zimbabwe and live instead in the buffer zone around the park where they have frequent fatal encounters with people. Read further details here.

I received a wonderful response to this painting and I’m very pleased to tell you that it now has a new home with a collector in India who has an interest in Africa and conservation. I donate a percentage from every sale towards conservation, so the Painted Dog Conservation project will be receiving US$1225 to help make the buffer zone around Hwange National Park safer for Painted Dogs!

On The Edge is also available as a limited edition reproduction. Please contact me for details.
A donation is made towards conservation in Africa from every sale.

Until next time…
Alison

Art Inspired by Africa and Conservation

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On The Edge by ANicholls

On The Edge by ANicholls

On The Edge
Acrylic on Canvas  24×30” by Alison Nicholls

During my visit to the Painted Dog Conservation project in Zimbabwe, I spent time with Esther van der Meer who was conducting research on the painted dogs (also known as African wild dogs, Lycaon pictus). We spent several days visiting waterholes both inside and outside Hwange National Park while she recorded details of kudu & impala, the main prey species for the dogs in this area. I was only present for a very small part of Esther’s research but I was interested in knowing her findings so after she completed and successfully defended her Doctoral Thesis, she sent me a copy. This painting was based on her work. Is the Grass Greener on the Other Side? Testing the Ecological Trap Hypothesis for African Wild Dogs in and around Hwange National Park, Zimbabwe.

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On The Edge shows Painted Dogs (African wild dogs, Lycaon pictus) leaving Hwange National Park in Zimbabwe, and entering the buffer zone – a mix of commercial farms, communal areas, trophy hunting & photographic safari areas which border the park. The right-hand side of the painting represents the national park while the left-hand side represents the buffer zone. The border of the painting consists of the spoor (tracks) of kudu, impala, lion, hyena, people and vehicles.

Painted dogs in this area are choosing to live in the buffer zone rather than in relative safety of the national park. Research has shown that both the national park and the buffer zone contain similar densities of the dogs’ main prey species, impala and kudu but the buffer zone contains more dense vegetation. This results in higher hunting success and shorter chases, leading to better fed dogs and larger litters of pups. Lions and hyenas, which may steal kills, or even kill dogs & their pups, are also less likely to be encountered in the buffer zone. On The Edge illustrates this with consistent numbers of impala and kudu tracks throughout, but more lion and hyena tracks inside the national park (right-hand side of painting).

Dogs use these seemingly sound ecological clues when making decisions about where to live and hunt. As a result they are abandoning safer habitat inside Hwange National Park, selecting territories inside or close to the buffer zone and thereby exposing themselves to increased human activity. This is illustrated in On The Edge by the people & vehicle tracks which are only found in the buffer zone (left-hand side of painting). Dogs in the buffer zone are being snared, shot and run over on the roads at a rate faster than they can reproduce, however they seem unable to take humans and the danger of being near them, into account when deciding to live in or near the buffer zone.

How can conservationists use this research to help dogs survive this Ecological Trap? Forcibly keeping dogs inside the national park would require a fence, which would restrict the movement of other species. Altering the vegetation density and lion/hyena numbers inside the park to entice dogs to stay there, would be a daunting task and would have ramifications for the entire habitat. One viable conservation option is to make the buffer zone safer for dogs and other species by reducing snares, limiting speed limits on roads and educating people about living with dogs – all of which are areas of focus for the Painted Dog Conservation project.

On the Edge was inspired by Dr van der Meer’s 2011 Doctoral Thesis Is the Grass Greener on the Other Side? Testing the Ecological Trap Hypothesis for African Wild Dogs in and around Hwange National Park, Zimbabwe. 30% of the proceeds from the sale of the painting will be donated to the Painted Dog Conservation project to help make the buffer zone safer for Painted Dogs.

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On The Edge is an original acrylic on canvas, 24×30″, priced at US$3500 excluding taxes and shipping. Please contact me for details or visit www.NichollsWildlifeArt.com to see more of my African Inspired Art, including smaller originals, field sketches and limited edition giclées.
A donation is made towards conservation in Africa from every sale.

Dr van der Meer is now working to conserve cheetahs in Zimbabwe. You can read more about her work by visiting the Cheetah Zimbabwe Facebook page.

Until next time…
Alison

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